Wilt Chamberlain - Post-NBA Career

Post-NBA Career

After his stint with the Qs, Chamberlain successfully went into business and entertainment, made money in stocks and real estate, opened a popular Harlem nightclub, Big Wilt's Smalls Paradise, and invested in broodmares. Chamberlain also sponsored his personal professional volleyball and track and field teams, and also provided high-level teams for girls and women in basketball, track, volleyball and softball, and made money by appearing in ads for TWA, American Express, Volkswagen, Drexel Burnham, Le Tigre Clothing and Foot Locker.

After his basketball career, volleyball became Chamberlain's new passion: being a talented hobby volleyballer (albeit due to lack of technique, not as excellent as volleyball All-American Lakers team mate Keith Erickson) during his Lakers days, he became board member of the newly founded International Volleyball Association in 1974 and became its president one year later. As a testament to his importance, the IVA All-Star game was televised only because Chamberlain also played in it: he rose to the challenge and was named the game's MVP. He played occasional matches for the IVA Seattle Smashers before the league folded in 1979. However, Chamberlain had promoted the sport so effectively that he was named to the Volleyball Hall of Fame: he became one of the few athletes who were enshrined in different sports.

In 1976 Wilt turned to his interest in movies, forming a film production and distribution company to make his first film, entitled "Go For It".

Chamberlain played a villainous warrior and counterpart of Arnold Schwarzenegger in the film Conan the Destroyer (1984).

In November 1998, Wilt signed with Ian Ng Cheng Hin, CEO of Northern Cinema House Entertainment (NCH Entertainment), to do his own bio-pic, wanting to tell his life story his way. He had been working on the screenplay notes for over a year at the time of his death. "He was more inquisitive than anybody I ever knew. He was writing a screenplay about his life. He was interested in world affairs, sometimes he'd call me up late at night and discuss philosophy. I think he'll be remembered as a great man. He happened to make a living playing basketball but he was more than that. He could talk on any subject. He was a Goliath," said Sy Goldberg, Chamberlain's longtime attorney.

When million-dollar contracts became common in the NBA, Chamberlain increasingly felt he had been underpaid during his career. A result of this resentment was the 1997 book Who's Running the Asylum? Inside the Insane World of Sports Today (1997), in which he harshly criticized the NBA of the 1990s for being too disrespectful of players of the past.

Even far beyond his playing days, Chamberlain was a very fit person. In his mid-forties, he was able to humble rookie Magic Johnson in practice, and even in the 1980s, he flirted with making a comeback in the NBA. In the 1980–81 NBA season, coach Larry Brown recalled that the 45-year-old Chamberlain had received an offer from the Cleveland Cavaliers. When Chamberlain was 50, the New Jersey Nets had the same idea, and Chamberlain declined again. However, he would continue to epitomize physical fitness for years to come, including participating in several marathons.

In 1992, Chamberlain was briefly hospitalized for an irregular heartbeat. According to those close to him, he eventually began taking medication for his heart troubles. On October 12, 1999, rescuers found him dead upon being summoned to his Bel Air, California, home. His agent reported, after speaking with Chamberlain's cardiologist, that Chamberlain died of congestive heart failure, his health having deteriorated rapidly during the month preceding his death.

Read more about this topic:  Wilt Chamberlain

Famous quotes containing the word career:

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)