Willis H. O'Brien - Completed Films (in Chronological Order)

Completed Films (in Chronological Order)

  • The Dinosaur and the Missing Link: A Prehistoric Tragedy (1915)
  • The Birth of a Flivver (1916)
  • Morpheus Mike (1916)
  • Curious Pets of Our Ancestors (1917)
  • In the Villain's Power (1917)
  • Mickey and his Goat (1917)
  • Mickey's Naughty Nightmares (1917)
  • Nippy's Nightmare (1917)
  • Prehistoric Poultry (1917)
  • The Puzzling Billboard (1917)
  • R.F.D. 10,000 B.C. (1917)
  • The Ghost of Slumber Mountain (1918)
  • The Lost World (1925)
  • King Kong (RKO, 1933)
  • Son of Kong (1933)
  • The Last Days of Pompeii (1935)
  • The Dancing Pirate (1936)
  • Tulips Shall Grow (1940)
  • Mighty Joe Young (RKO, 1949) – Academy Award for Best Visual Effects
  • This Is Cinerama (1952)
  • The Animal World (US, 1956) (with Ray Harryhausen)
  • The Beast of Hollow Mountain (1956)
  • The Black Scorpion (US 1957)
  • The Cosmic Monster (1958)
  • Behemoth, the Sea Monster (UK 1959; US release entitled The Giant Behemoth)
  • The Lost World (1960) – Technical Consultant
  • It's a Mad, Mad, Mad, Mad World (1963; part)

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Famous quotes containing the words completed and/or films:

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)