Novels
- 1978 • Birdy
- 1981 • Dad
- 1982 • A Midnight Clear
- 1984 • Scumbler
- 1985 • Pride
- 1987 • Tidings
- 1989 • Franky Furbo
- 1991 • Last Lovers
- 1994 • Wrongful Deaths (memoir)
- 1996 • Houseboat on Seine (memoir)
The following titles were only published in Polish - includes English translation of title
- 1998 • Historie rodzinne - Say Uncle
- 1999 • Al (sequel to Birdy) - Al (subtitle) Worth Trying (?)
- 1999 • William Wharton - Album (reproductions of paintings)
- 1999 • Opowieści z Moulin du Bruit - Tales of the Moulin Du Bruit
- 1999 • Szrapnel - Shrapnel
- 2000 • Tam, gdzie spotykają się wszystkie światy - Beyond the Closet
- 2001 • Niedobre miejsce - A Hard Place
- 2001 • Nigdy, nigdy mnie nie złapiecie - Nyah, Nyah, You Can't Catch Me
- 2002 • Nie ustawaj w biegu - Run, Run, Run
- 2003 • Rubio - (roughly 'fair-haired' or blonde - from Spanish)
"Beyond the Closet" was also published in Bulgarian with the title "Отвъд килера" (2007)
"Shrapnel" was also published in Hungarian with the title "Srapnel" (2011)
Read more about this topic: William Wharton (author)
Famous quotes containing the word novels:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Every reader of the Dreiser novels must cherish astounding specimens—of awkward, platitudinous marginalia, of whole scenes spoiled by bad writing, of phrases as brackish as so many lumps of sodium hyposulphite.”
—H.L. (Henry Lewis)
“Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
—Vladimir Nabokov (1899–1977)