William Guilfoyle - Melbourne Botanic Gardens

Melbourne Botanic Gardens

In April 1873 Mueller created the genus Guilfoylia and described William Guilfoyle as "distinguished as a collector evidenced great ardour" and held high hopes for his collecting ability. Mueller's opinion changed when Guilfoyle was appointed to take his place as Director of the Royal Botanic Gardens, Melbourne on 21 July 1873. He accused Guilfoyle of being a "nurseryman no claims to scientific knowledge whatever" and of getting the job due to being related to the wife of the responsible Minister. Mueller subsequently abolished Guilfoylia as part of the genus of Cadellia in his botanical census of 1882.

Mueller had adopted a scientific and educational approach to the Botanic Gardens, which had come in for criticism by influential Melburnians, who wanted a more aesthetic gardens for recreational use. William Guilfoyle set about creating the Gardens’ world-famous "picturesque" landscape style. Over the next 35 years, Guilfoyle sculpted sweeping lawns, meandering paths and glittering lakes, creating a series of vistas offering a surprise around every corner. The swamp and lagoon were separated from the Yarra River under the direction of Carlo Catani (1852–1918), a civil engineer with the Public Works Department, allowing Guilfoyle to create the chain of ornamental lakes further adding to the beauty of the gardens.

A feature of Guilfoyle’s designs were the erection of over a dozen structures in the Gardens, including pavlions, summer houses, rotundas and ‘temples’. These structures were generally located at junctions along the path system and took advantage of an attractive view. They were also practical buildings providing much needed shelter from Melbourne’s hot summer sun and unpredictable rain. The Rose Pavilion, for instance, was used for band recitals during the summer months. Another, the "Temple of the Winds" monument was dedicated to Governor Charles La Trobe and erected by William Guilfoyle in the Botanical Gardens. The temple is composed of 10 columns instead of the normal 8 or 12 which are more easily divisible by the four points of the compass. According to historian Ken Duxbury, such structures added a picturesque charm to the landscape, highlighting points of visual interest along the trail of the paths and serving a role not dissimilar to the grottos, classical temples, follies, hermitages and pagodas along the circuit walks of the classic ‘English Landscape School’ gardens such as Stourhead. In addition to these structures, Guilfoyle added a series of large iron archways to highlight entry to the rest houses and to mark points of transition like ‘doorways’. About ten of these archways still remain. He also established an extensive medicinal garden in the 1880s at the Gardens and opened a Museum of Economic Botany and Plant Products in 1892.

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