Exhibitions, Poetry, and Performance Art
Gibson has contributed text to be integrated into a number of performance art pieces. In October 1989, Gibson wrote text for such a collaboration with acclaimed sculptor and future Johnny Mnemonic director Robert Longo titled Dream Jumbo: Working the Absolutes, which was displayed in Royce Hall, University of California Los Angeles. Three years later, Gibson contributed original text to "Memory Palace", a performance show featuring the theater group La Fura dels Baus at Art Futura '92, Barcelona, which featured images by Karl Sims, Rebecca Allen, Mark Pellington with music by Peter Gabriel and others. It was at Art Futura '92 that Gibson met Charlie Athanas, who would later act as dramaturg and "cyberprops" designer on Steve Pickering and Charley Sherman's adaptation of "Burning Chrome" for the Chicago stage. Gibson's latest contribution was in 1997, a collaboration with critically acclaimed Vancouver-based contemporary dance company Holy Body Tattoo and Gibson's friend and future webmaster Christopher Halcrow.
In 1990, Gibson contributed to "Visionary San Francisco", an exhibition at the San Francisco Museum of Modern Art shown from June 14 to August 26. He wrote a short story, "Skinner's Room", set in a decaying San Francisco in which the San Francisco – Oakland Bay Bridge was closed and taken over by the homeless – a setting Gibson then detailed in the Bridge trilogy. The story inspired a contribution to the exhibition by architects Ming Fung and Craig Hodgetts that envisioned a San Francisco in which the rich live in high-tech, solar-powered towers, above the decrepit city and its crumbling bridge. The architects exhibit featured Gibson on a monitor discussing the future and reading from "Skinner's Room". The New York Times hailed the exhibition as "one of the most ambitious, and admirable, efforts to address the realm of architecture and cities that any museum in the country has mounted in the last decade", despite calling Ming and Hodgetts's reaction to Gibson's contribution "a powerful, but sad and not a little cynical, work". A slightly different version of the short story was featured a year later in Omni.
Read more about this topic: William Gibson, Collaborations, Adaptations, and Miscellanea
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