Works
- Anderson, Margaret Seguin, and Marjorie Halpin (eds.) (2000) Potlatch at Gitsegukla: William Beynon's 1945 Field Notebooks. Vancouver: UBC Press.
- Beynon, William (1941) "The Tsimshians of Metlakatla, Alaska." American Anthropologist (new series), vol. 43, pp. 83-88.
- Beynon, William (1999) "Nda ckshun Tckaimsom dis Laggabula -- When Tckaimson and Laggabula Gambled." In: Alaska Native Writers, Storytellers & Orators: The Expanded Edition, ed. by Ronald Spatz, Jeane Breinig, and Patricia H. Partnow, pp. 44-47. Anchorage: University of Alaska.
- MacDonald, George F., and John J. Cove (eds.) (1987) Tsimshian Narratives. Collected by Marius Barbeau and William Beynon. (Canadian Museum of Civilization Mercury Series, Directorate Paper 3.) 2 vols. Ottawa: Directorate, Canadian Museum of Civilization.
Read more about this topic: William Beynon
Famous quotes containing the word works:
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)