Cinema Feature Project
In 2008, Bemister embarked on the production of a 120-minute 'cross genre' factual feature film entitled Admissible Evidence, which planned to incorporate cinematographic and photographic evidence, satellite mapping of crime loci, ground penetrating radar, electronic and human intelligence, and other forensic evidence to identify World War II (Great Patriotic War) German war criminals and their collaborators, including members of the Romanian Army and Police.
The project planned to incorporate evidence of some scientists in face, gait, and voice recognition from the United States, Sweden and Germany, and investigators 'cold case' Nazi war crimes committed between 1938 and 1945, including new evidence of murders of Jewish babies and burning of live victims in quicklime; such crimes were to be exposed for the first time, together with admissible evidence concerning each case.
The technologies, where possible, would have also identified Nazi victims: principally Jews, but also Slavs, Roma, homosexuals, psychiatric patients, pacifists including Quakers, Red Army prisoners-of-war, and unarmed civilians.
To redress cases where many thousands of alleged war criminals were not prosecuted, the film was to present forensic 'nano-evidence'. The film, a German, Russian, and UK co-production with the participation of other European organisations, was scheduled for production in 2009, and was the recipient of UK National Lottery Funding, through a grant from the British Government’s Department of the Media, the UK Film Council, and Screen South.
The picture was to abandon the conventional British documentary format in favor of $4 million production values and the style of a forensic/detective procedural drama with four-camera cinematography, innovative mis-en-scene and lighting, the most advanced visual effects - commonly used in big budget adventure features - and rapid editing.
It was not planned that the film would address armed partisan actions, but was to side-bar Soviet NKVD war crimes, the very few war crimes committed by the Allies, and as a postscript, review the cases of organizations, scientific academics, and reactionary historians who attempted to 'red flag' the production.
The future of the project is uncertain since Bemister's death.
Read more about this topic: William Bemister
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