Career
Throughout his career, Jennings has written for a wide variety of artists including Steve Winwood, Eric Clapton, B.B. King, Joe Sample, Rodney Crowell, Mariah Carey, Jimmy Buffett, Barry Manilow and Roy Orbison.
With Steve Winwood, Jennings wrote a series albums including While You See A Chance, Arc of a Diver and Back in the High Life, an album which contained the hits "Higher Love", "The Finer Things", and "Back in the High Life Again". Winwood won the Record Of The Year and Outstanding Male Vocal Performance. Both Jennings and Winwood were nominated for the Song of the Year award for "Higher Love."
With Joe Sample, Jennings wrote "Street Life" (a world-wide hit for the Crusaders with singer Randy Crawford) and several songs for various albums by the Crusaders for guest vocalists, including Joe Cocker ("I'm So Glad I'm Standing Here Today"), Bill Withers ("Soul Shadows"), and Nancy Wilson ("The Way It Goes"). Jennings and Sample also wrote the better part of three albums for B.B. King, Midnight Believer in 1978, Take It Home in 1979, and There is Always One More Time in 1991.
Richard Kerr and Jennings wrote "Somewhere in the Night" and "Looks Like We Made It" for Barry Manilow and "I'll Never Love This Way Again" for Dionne Warwick.
Jennings has collaborated on many songs for films, the most notable songs being "Up Where We Belong" for An Officer and a Gentleman, a song which won the Academy Award in America and the BAFTA (British Academy Award) in the United Kingdom and was a number one hit for Joe Cocker and Jennifer Warnes. In 1997, Jenning's wrote the world-wide number one Céline Dion hit "My Heart Will Go On" for the film Titanic with his collaborator James Horner. They won the Golden Globe Award and the Academy Award for Best Song from a Motion Picture.
Among his other collaborations were two albums written with Jimmy Buffett and Michael Utley, Riddles in the Sand and The Last Mango in Paris. Jennings also wrote several songs for Roy Orbison's King Of Hearts album.
In Nashville, Jennings wrote hits with Rodney Crowell, including "Many a Long and Lonesome Highway", "What Kind of Love", and "Please Remember Me", a number one country hit for Tim McGraw.
Jennings also wrote "Tears in Heaven" with Eric Clapton, which won song of the Year and also won the Ivor Novello award for best song from a film.
Teaming with James Horner and Mariah Carey, Jennings wrote the lyrics for the central song in How The Grinch Stole Christmas, "Where Are You Christmas?", sung by a character within the film and by Faith Hill at the end of the film. In 2002, Horner and Jennings contributed a song for the Oscar-winning film A Beautiful Mind.
In 2002, Peter Wolf’s new album, Sleepless, appeared with positive reviews. The album featured six songs written by Jennings and Wolf, who collaborated previously on Fool's Parade (1999) on Mercury Records.
Jennings and Joe Sample, the keyboard player for the Crusaders, go back to 1978 and began by writing the Midnight Believer album for B.B. King and then wrote the hit "Street Life" for the Crusaders album of the same name. Jennings and Sample also wrote "One Day I'll Fly Away", originally sung by Crawford, which was featured in the film Moulin Rouge!, along with another of Jennings’s songs, "Up Where We Belong". In the film "One Day I'll Fly Away" was sung by Nicole Kidman and, in March 2002, was released as a single in the UK from the second soundtrack album to emerge from Moulin Rouge.
Read more about this topic: Will Jennings
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)