Wilderness - History

History

Looked at through the lens of the visual arts, nature and wildness have been important subjects in various epochs of world history. An early tradition of landscape art occurred in the Tang Dynasty (618-907). The tradition of representing nature as it is became one of the aims of Chinese painting and was a significant influence in Asian art. Artists in the tradition of Shan shui (lit. mountain-water-picture), learned to depict mountains and rivers "from the perspective of nature as a whole and on the basis of their understanding of the laws of nature… as if seen through the eyes of a bird.” In the 13th century, Shih Erh Chi recommended avoiding painting "scenes lacking any places made inaccessible by nature."

The idea of wilderness having intrinsic value emerged in the Western world in the 19th century. British artists John Constable and JMW Turner turned their attention to capturing the beauty of the natural world in their paintings. Prior to that, paintings had been primarily of religious scenes or of human beings. William Wordsworth’s poetry described the wonder of the natural world, which had formerly been viewed as a threatening place. Increasingly the valuing of nature became an aspect of Western culture.

Over the course of the 19th century wilderness became viewed not as a place to fear but a place to enjoy and protect, hence came the conservation movement in the latter half of the 19th century. Rivers were rafted and mountains were climbed solely for the sake of recreation, not to determine their geographical context. Early conservationists advocated the creation of a legal mechanism by which boundaries could be set on capitalistic ventures in order to preserve natural and unique lands for the enjoyment and use of future generations. This profound shift in wilderness thought reached a pinnacle in the US with the passage of the Wilderness Act of 1964, which allowed for parts of U.S. National Forests to be designated as "wilderness preserves". Similar acts, such as the 1975 Eastern Wilderness Act, followed.

The 21st century has seen another slight shift in wilderness thought and theory. It is now understood that simply drawing lines around a piece of land and declaring it a wilderness does not necessarily make it a wilderness. All landscapes are intricately connected and what happens outside a wilderness certainly affects what happens inside it. For example, air pollution from Los Angeles and the California Central Valley affects Kern Canyon and Sequoia National Park. The national park has miles of "wilderness" but the air is filled with pollution from the valley. This gives rise to the paradox of what a wilderness really is; a key issue in 21st century wilderness thought.

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