Wild Colonials - Music in Film

Music in Film

Wild Colonials music has appeared in over thirty different films from Disney’s Mr. Wrong, to the quirky Indie sensation Flirting With Disaster and the Sundance Film Festival hit Dead Man’s Curve. Three members of the band, Shark, Paul Cantelon and Scott Roewe have all scored feature length films.

  • The song "Blue" appeared in the movie "Dead Man's Curve" and the film "Anarchy TV".
  • The song "Victim" appeared in the movie"The Last Supper"and the short film The Yard Sale.
  • The song “Wake Up Sad (remix)” appeared in the movie "Dead Man's Curve".
  • The Wild Colonials version of Tom Jones' "It's Not Unusual" appeared in the movie "Mr. Wrong"
  • The song "Evil" appeared in the movie "The Motorcycle Gang (Rebel Highway)".
  • The song "This Misery" appeared in the movie "Unhook The Stars".
  • The song "RollerCoaster" appeared in the movie "I'll Take You There".
  • The song "Love®" appeared in the movie "Cosa Bella".
  • The Wild Colonials version of Leonard Cohen's "Dance Me To The End Of Love" appeared in the movie "Chromophobia"
  • The song "Cure" appears in the television movie Cabin by the Lake and its sequel.
  • The songs "Rainbow" and "If By Chance" (a duet with Cyndi Lauper) appears in the movie soundtrack for "Southie".
  • The song "Heaven & Hell 2010" appears in the movie "Conviction".

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Famous quotes containing the words music in, music and/or film:

    “There is a pleasure in the pathless woods,
    There is a rapture on the lonely shore,
    There is society where none intrudes
    By the deep sea, and music in its roar:
    I love not man the less, but nature more,”
    —George Gordon Noel Byron (1788–1824)

    “I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
    —Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)

    “The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
    —Jeanine Basinger (b. 1936)