Plot
The story opens with a Stormwatch escape pod, containing a scarred Flint, crash landing in New York City. The resulting rescue, retrieval and debriefing are witnessed by Grifter and Void. Upon hearing Flints description of the aliens, Grifter mistakenly believes the creatures to be Daemonite and quickly gathers up the original WildC.A.T.S team sans Voodoo for a rescue mission to the Stormwatch space station, Skywatch.
Void teleports the team to the station where they quickly uncover a video log and security tapes depicting the events that led up to the alien attack. A mysterious asteroid was passing nearby and a Stormwatch science team was dispatched to take surface samples and to plant explosives that redirect it into the sun. Skywatch lost contact with the team but their ships automatically returned to Skywatch. They quickly found themselves out of their depths and dealing with an unknown xenomorph. The Aliens ripped through the stations slaughtering and infecting the majority of the crew. The Stormwatch superhuman team attempted to fight them off but were ultimately wiped out, yet there were indications of a small group of survivors hidden away on the satellite.
After watching the footage the WildC.A.T.S continue to look for the survivors, eventually finding them hidden in their cryogenic lock down section. The survivors included Jackson King, Christine Trelane, Winter and 96 crew members. With help of Void, most of the crew and all of the WildC.A.T.S escaped, injured but alive. Winter, however, stayed behind to pilot the station into the sun, ensuring that the xenomorphs weren't able to spread to the Earth.
Read more about this topic: Wild C.A.T.s/Aliens
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Those blessed structures, plot and rhyme—
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—Robert Lowell (1917–1977)