Sir William Gerald Golding, CBE (19 September 1911 – 19 June 1993) was an English novelist, poet, playwright and Nobel Prize for Literature laureate, best known for his novel Lord of the Flies. He was also awarded the Booker Prize for literature in 1980 for his novel Rites of Passage, the first book of the trilogy To the Ends of the Earth.
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Some articles on William Golding:
... Poems was the first work by British novelist William Golding (better known for Lord of the Flies, among other novels) ... later derided it, but critics in retrospect called it "not bad." William Golding Works Poems (1934) Lord of the Flies (1954) The Inheritors (1955) Pincher Martin (1956 ...
... Forster, A Passage to India 1924 William Wilson, The House of Airlie (The Earls of Airlie) 1925 Liam O'Flaherty, The Informer 1925 Geoffrey Scott, The ... The Good Companions 1929 Lord David Cecil, The Stricken Deer or The Life of Cowper (William Cowper) 1930 E ... Wedgwood, William the Silent (William the Silent) 1945 L ...
... Advanced series and reviews by Frank Kermode and David Skilton are included in "William Golding Novels 1954-1967" ... Don Crompton in "A View from the Spire William Golding's Later Novels" analyses the novel and relates to its pagan and mythical elements ... Kinkead-Weekes and Ian Gregor cover all of William Golding's novels in "William Golding a critical study of the novels." ...
Famous quotes containing the words golding and/or william:
“Consider a man riding a bicycle. Whoever he is, we can say three things about him. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. Most important of all, we know that if at any point between the beginning and the end of his journey he stops moving and does not get off the bicycle he will fall off it. That is a metaphor for the journey through life of any living thing, and I think of any society of living things.”
—William Golding (b. 1911)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)