Fiction
Strieber began his career as a novelist with the horror novels The Wolfen (1978) and The Hunger (1981), each of which was later made into a movie, followed by the less successful horror novels Black Magic (1982) and The Night Church (1983).
Strieber then turned to speculative fiction with social conscience. He wrote Warday (1984), about the dangers of limited nuclear warfare, and Nature's End (1986), a novel about environmental apocalypse, collaboratively with James Kunetka. He is also the author of Wolf of Shadows (1985), a young adult novel set in the aftermath of a nuclear war.
In 1986, Strieber's fantasy novel Catmagic was published with co-authorship credited to Jonathan Barry, who was billed as an aerospace industry consultant and a practicing witch. In the 1987 paperback edition, Strieber states that Jonathan Barry is fictitious and that he is the sole author of Catmagic. Strieber's personal publishing company, Walker & Collier, is named after two characters in Catmagic.
Later, less successful thrillers by Strieber (all now out of print) include Billy (1990), The Wild (1991), Unholy Fire (1992) and The Forbidden Zone (1993).
Recent novels are detailed in Current Works, below.
Read more about this topic: Whitley Strieber
Famous quotes containing the word fiction:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“... the main concern of the fiction writer is with mystery as it is incarnated in human life.”
—Flannery O’Connor (1925–1964)
“We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.”
—Daniel Easterman (b. 1949)