Production
Bob Lanier, Detroit Pistons and Milwaukee Bucks legend and Hall of Famer, was hired as basketball coach for the movie. He was impressed with Harrelson and Snipes, suggesting that both reached division III college basketball skill level.
The original music soundtrack and song "If I Lose" were composed by saxophonist and composer Bennie Wallace, who also scored Ron Shelton's film "Blaze."
The musical R&B quintet Riff recorded a song and accompanying music video called "White Men Can't Jump" for the movie. The music video featured Woody Harrelson, Wesley Snipes and Rosie Perez. It can be seen on the DVD release with bonus features.
Marques Johnson has a supporting role as Raymond, who loses a game to Snipes and Harrelson. Johnson was a star player for UCLA's 1974-75 national championship team coached by John Wooden and later played for the NBA's Bucks, Clippers and Warriors.
Freeman Williams, who played "Duck" Johnson, also had a distinguished NBA career, playing for the Clippers, Jazz, and Bullets from 1978-86.
NBA player Gary Payton made an uncredited appearance as an unidentified street baller.
The category "Foods that start with the letter 'Q'" was an actual category on an October 1997 episode of Jeopardy!
There is a video game based on the movie, for the Atari Jaguar console.
To introduce a new basketball shoe, Nike teamed up with the makers of White Men Can't Jump to assemble the package of shoes inspired by characters Billy Hoyle and Sidney Deane.
Read more about this topic: White Men Can't Jump
Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)