Musical Structure
The song is in Am, with a shift to a ♭7 (Am/G) on "all" (bass note G) and a 6 (D9 (major 3rd F#)) after "love" (bass note F#) to a ♭6 (Fmaj7) on "sleeping" (bass note F). This 8-♭7-6-♭6 progression has been described as an Aeolian/Dorian hybrid. Everett notes that the change from the minor mode verse (A-B) to the parallel major for the bridge might express hope that "unrealized potential" described in the lyrics is to be "fulfilled," but that the continued minor triads (III, VI and II) "seem to express a strong dismay that love is not to be unfolded." Clapton's guitar contribution has been described as making this a "monumental" track; particularly notable features include the increasing lengths of thrice-heard first scale degrees (0.17-0.19), the restraint showed by rests in many bars then unexpected appearances (as at 0.28-0.29), commanding turnaround phrases (0.31-0.33), expressive string bends marking modal changes from C to C# (0.47-0.53), power retransition (1.21-1.24), emotive vibrato (2.01-2.07), and a solo (1.55-2.31) with a "measured rise in intensity, rhythmic activity, tonal drive and registral climb."
Read more about this topic: While My Guitar Gently Weeps
Famous quotes containing the words musical and/or structure:
“Through man, and woman, and sea, and star,
Saw the dance of nature forward far;
Through worlds, and races, and terms, and times,
Saw musical order, and pairing rhymes.”
—Ralph Waldo Emerson (1803–1882)
“There is no such thing as a language, not if a language is anything like what many philosophers and linguists have supposed. There is therefore no such thing to be learned, mastered, or born with. We must give up the idea of a clearly defined shared structure which language-users acquire and then apply to cases.”
—Donald Davidson (b. 1917)