Wherever We May Roam Tour - The Show

The Show

The band dispensed with supporting acts on the tour, billing it on tickets as "An Evening with Metallica / No Opening Act". Instead, a video presentation was shown before the concerts actually started. Included might be clips of local sights near the venue, Metallica shopping in local stores, roadies prepping the arena, Lars Ulrich walking around backstage giving introductions and reciting band history, or other band members engaging in various hijinks. The video would conclude with a montage of "Enter Sandman" with film clips of Clint Eastwood in The Good, the Bad and the Ugly.

Setlists consisted of a mixture of Metallica (The Black Album) material with fan-favorite songs from their first four albums. Shows were typically three hours long.

The stage itself was a diamond form, with a number of singing and playing positions as well as drum kit positions that would allow band members to rotate around. Some selected fans were located in a pit inside the stage area.

Once in the show's mid-section, individual unaccompanied solo slots were offered up, typically a bass solo, then later a drum solo, and in another while a guitar one. The drum slot was often the most popular, with a second drum kit popping up and Hetfield taking a seat, dueling with Ulrich. Drum parts from other bands such as Slayer might be quoted, or Kirk Hammett might appear to play a bit of "Smoke on the Water" along the drums.

Read more about this topic:  Wherever We May Roam Tour

Famous quotes containing the word show:

    The opposition is indispensable. A good statesman, like any other sensible human being, always learns more from his opponents than from his fervent supporters. For his supporters will push him to disaster unless his opponents show him where the dangers are. So if he is wise he will often pray to be delivered from his friends, because they will ruin him. But though it hurts, he ought also to pray never to be left without opponents; for they keep him on the path of reason and good sense.
    Walter Lippmann (1889–1974)

    The worst feature of this double consciousness is, that the two lives, of the understanding and of the soul, which we lead, really show very little relation to each other; never meet and measure each other: one prevails now, all buzz and din; and the other prevails then, all infinitude and paradise; and, with the progress of life, the two discover no greater disposition to reconcile themselves.
    Ralph Waldo Emerson (1803–1882)