The Show
The band dispensed with supporting acts on the tour, billing it on tickets as "An Evening with Metallica / No Opening Act". Instead, a video presentation was shown before the concerts actually started. Included might be clips of local sights near the venue, Metallica shopping in local stores, roadies prepping the arena, Lars Ulrich walking around backstage giving introductions and reciting band history, or other band members engaging in various hijinks. The video would conclude with a montage of "Enter Sandman" with film clips of Clint Eastwood in The Good, the Bad and the Ugly.
Setlists consisted of a mixture of Metallica (The Black Album) material with fan-favorite songs from their first four albums. Shows were typically three hours long.
The stage itself was a diamond form, with a number of singing and playing positions as well as drum kit positions that would allow band members to rotate around. Some selected fans were located in a pit inside the stage area.
Once in the show's mid-section, individual unaccompanied solo slots were offered up, typically a bass solo, then later a drum solo, and in another while a guitar one. The drum slot was often the most popular, with a second drum kit popping up and Hetfield taking a seat, dueling with Ulrich. Drum parts from other bands such as Slayer might be quoted, or Kirk Hammett might appear to play a bit of "Smoke on the Water" along the drums.
Read more about this topic: Wherever We May Roam Tour
Famous quotes containing the word show:
“Let us, like merchants, show our foulest wares,
And think perchance they’ll sell; if not,
The lustre of the better yet to show
Shall show the better.”
—William Shakespeare (1564–1616)
“One cannot demand of a scholar that he show himself a scholar everywhere in society, but the whole tenor of his behavior must none the less betray the thinker, he must always be instructive, his way of judging a thing must even in the smallest matters be such that people can see what it will amount to when, quietly and self-collected, he puts this power to scholarly use.”
—G.C. (Georg Christoph)