Hero


A hero (heroine is always used for females) (Ancient Greek: ἥρως, hḗrōs), in Greek mythology and folklore, was originally a demigod, their cult being one of the most distinctive features of ancient Greek religion. A demigod is the son or daughter from one immortal and one mortal parent, an example would be Heracles, son of the mortal queen Alkema and the god Zeus. Later, hero (male) and heroine (female) came to refer to characters who, in the face of danger and adversity or from a position of weakness, display courage and the will for self sacrifice—that is, heroism—for some greater good of all humanity. This definition originally referred to martial courage or excellence but extended to more general moral excellence.

Stories of heroism may serve as moral examples. In classical antiquity, hero cults that venerated deified heroes such as Heracles, Perseus, and Achilles played an important role in Ancient Greek religion. Politicians, ancient and modern, have employed hero worship for their own apotheosis (i.e., cult of personality). Stories of the anti-hero also play a major role in Greek mythology. The anti-hero is someone's qualities are the last expected from a person in certain situations. The favorite type of anti-hero is a characterless individual.

Read more about Hero:  Etymology, Classical Hero Cults, The Validity of The Hero in Historical Studies, Heroic Myth, Folk and Fairy Tales, The Modern Fictional Hero, Hero As Self, Psychology of Heroism

Famous quotes containing the word hero:

    Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historical, macrocosmic triumph. Whereas the former—the youngest or despised child who becomes the master of extraordinary powers—prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.
    Joseph Campbell (1904–1987)

    The ordinary man is as courageous and invulnerable as a hero when he does not recognize any danger, when he has no eyes to see it. Conversely, the hero’s only vulnerable spot is on his back, and so exactly where he has no eyes.
    Friedrich Nietzsche (1844–1900)

    The ordinary man is involved in action, the hero acts. An immense difference.
    Henry Miller (1891–1980)