West Lancashire (UK Parliament Constituency) - Boundaries

Boundaries

The constituency covers most of the West Lancashire borough, except for the northern parishes, which are in the South Ribble constituency. The main towns in the constituency are the historic market town of Ormskirk and the new town of Skelmersdale.

Following their review of parliamentary representation in Lancashire in the run-up to the United Kingdom general election, 2010 the Boundary Commission for England created a new seat in Central Lancashire resulting in consequential changes across the county.

Only minor changes were made to the existing seat of West Lancashire with the modified seat constructed from the following electoral wards:

  • Ashurst, Aughton and Downholland, Aughton Park, Bickerstaffe, Birch Green, Burscough East, Burscough West, Derby, Digmoor, Halsall, Knowsley, Moorside, Newburgh, Parbold, Scarisbrick, Scott, Skelmersdale North, Skelmersdale South, Tanhouse, Upholland, and Wrightington.

The seat retains the main population areas of Ormskirk and Skelmersdale, with the more rural townships heading northwest towards Southport. The district council's northern parishes of Tarleton, Rufford, Hesketh Bank and North Meols are in the South Ribble constituency.

As part of the nation-wide Sixth Periodic Review of Westminster constituencies which commenced in 2011, the Boundary Commission for England recommends no change to the West Lancashire seat, which would retain its current boundaries.

Read more about this topic:  West Lancashire (UK Parliament Constituency)

Famous quotes containing the word boundaries:

    Whereas the Greeks gave to will the boundaries of reason, we have come to put the will’s impulse in the very center of reason, which has, as a result, become deadly.
    Albert Camus (1913–1960)

    We must be generously willing to leave for a time the narrow boundaries in which our individual lives are passed ... In this fresh, breezy atmosphere ... we will be surprised to find that many of our familiar old conventional truths look very queer indeed in some of the sudden side lights thrown upon them.
    Bertha Honore Potter Palmer (1849–1918)

    Women’s art, though created in solitude, wells up out of community. There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
    Adrienne Rich (b. 1929)