Roles
Role | Voice type | Premiere Cast, 16 February 1892 (Conductor: Wilhelm Jahn) |
---|---|---|
Charlotte, aged 20 | mezzo-soprano | Marie Renard |
Sophie, her sister, aged 15 | soprano | Ellen Foster-Brandt |
Werther, a young poet, aged 23 | tenor | Ernest van Dyck |
Albert, betrothed to Charlotte; aged 25 | baritone | Fritz Neidl |
Le Bailli, Charlotte's father; aged 50 | bass | Mayerhofer |
Schmidt, a friend of the Bailli | tenor | Schlittenhelm |
Johann, a friend of the Bailli | baritone | Félix |
Brühlmann, a young man | tenor | Stoll |
Kathchen, Bruhlmann's fiancée of seven years | mezzo-soprano | Carlona |
Children of the Bailli – Fritz, Max, Hans, Karl, Gretel, Clara | children's voices | |
Inhabitants of Wetzlar, guests, servants; off-stage women’s and children’s voices |
Read more about this topic: Werther
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“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to acceptand in their acceptance seem to reinforcethese roles at home with both their sons and their daughters.”
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“A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.”
—Nancy Chodorow (20th century)