Architecture
The interior of the cathedral is based on three aisles, with stress being placed on horizontal, rather than vertical lines. A unique feature in the crossing are the double pointed inverted arches, known as owl-eyed strainer arches. This unorthodox solution was found by the cathedral mason, William Joy in 1338, to stop the central tower from collapsing when another stage and spire were added to the tower which had been begun in the 13th century. The capitals in the south west arm of the transept include depictions such as a bald-headed man, a man with toothache, a thorn-extractor, and a moral tale: fruit thieves being caught and punished.
The west façade, is 100 feet (30 m) high and 150 feet (46 m) wide with niches for more than 500 medieval figure sculptures of which 300 survive. Between 1975 and 1986 the west front underwent a major cleaning and restoration programme, including Silane coating and Lime treatment for many of the statues.
The West front is composed of a yellow stone, inferior oolite, of the middle Jurassic period which came from the Doulting Stone Quarry about 8 miles (13 km) to the East.
Read more about this topic: Wells Cathedral
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—Gilbert Keith Chesterton (1874–1936)
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—Ralph Waldo Emerson (1803–1882)
“I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.”
—Roy Lichtenstein (b. 1923)