Welded sculpture (related to visual art and works of art) is an art form in which sculpture is made using welding techniques. Welding was increasingly used in sculpture from the 1930s as new industrial processes such as arc welding were adapted to aesthetic purposes. Welding techniques, including digital cutting, can be used to cut and join metal. Welded sculpture is sometimes site-specific.
Artist Richard Hunt said "The idea of exploiting welding methods and the tensile strength of metals opened up many possibilities to me. This idea was actually linked to the increasing recognition among artists that an art which was representative of our own time ought to use materials and techniques that were at hand, whether it was new experiments using plastics, new kinds of paints, new kinds of surfaces in painting, or using materials developed during the war effort."
Artists who have worked in welded sculpture include:
- Alexander Calder
- Brynn Leonid
- Sir Anthony Caro
- Charles Ginnever
- Julio Gonzalez
- Nancy Graves
- John Raymond Henry
- Robert H. Hudson
- Richard Hunt
- Lyman Kipp
- Clement Meadmore
- Vera Mukhina
- Beverly Pepper
- Pablo Picasso
- Peter Reginato
- Revs
- James Rosati
- Richard Serra
- David Smith
- Mark di Suvero
- Aleš Veselý
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Famous quotes containing the words welded and/or sculpture:
“How marvellous it all is! Built not by saints and angels, but the work of men’s hands; cemented with men’s honest blood and with a world of tears, welded by the best brains of centuries past; not without the taint and reproach incidental to all human work, but constructed on the whole with pure and splendid purpose. Human, and yet not wholly human—for the most heedless and the most cynical must see the finger of the Divine.”
—Archibald Philip Primrose, 5th Earl Rosebery (1847–1929)
“You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.”
—Anna C. Brackett (1836–1911)