Appearances in Popular Culture
The song was used in the trailer and soundtrack for the movie 9. It was also featured in the film Aaron vs. Hitler. It is used in the promo ad for the TV channel Versus. It is frequently used as "bumper music" in Sirius/Xm Satellite Radio program "The Wrap Up Show" on Howard 100/101.
The song makes frequent appearances as a sports theme. It was featured in an ad for the Wheeling Nailers. Portions of the song are used as the power play song for the 2009–10 Buffalo Sabres. This song is used in the intro video for the 2009–10 Atlanta Hawks and for the 2009–10 Dallas Stars. The song was used as the theme song for OVW professional wrestler, Kamikaze Kid, and by Detroit Tigers second baseman Will Rhymes for all plate appearances. It is also featured in the soundtrack for Madden NFL 06.
The song was once covered by the USC Trojan Marching Band. They later joined Coheed and Cambria on stage at Coachella to perform the song with them.
The original song was remixed by Shawn "Clown" Crahan of Slipknot during the All Hope Is Gone World Tour, in which both bands toured. The single was playable on Coheed & Cambria's MySpace page before being made available as a single on iTunes.
The song is used as the theme for the new WWE NXT
Read more about this topic: Welcome Home (Coheed And Cambria Song)
Famous quotes containing the words appearances, popular and/or culture:
“What I often forget about students, especially undergraduates, is that surface appearances are misleading. Most of them are at base as conventional as Presbyterian deacons.”
—Muriel Beadle (b. 1915)
“There is a continual exchange of ideas between all minds of a generation. Journalists, popular novelists, illustrators, and cartoonists adapt the truths discovered by the powerful intellects for the multitude. It is like a spiritual flood, like a gush that pours into multiple cascades until it forms the great moving sheet of water that stands for the mentality of a period.”
—Auguste Rodin (1849–1917)
“... good and evil appear to be joined in every culture at the spine.”
—Flannery O’Connor (1925–1964)