Weird Science (comics)
Weird Science was a science fiction anthology comic book that was part of the EC Comics line in the early 1950s. Over a four-year span, the comic ran for 22 issues, ending with the November–December, 1953 issue. Weird Fantasy was a sister title published during the same time frame.
Published by Bill Gaines and edited by Al Feldstein, the bi-monthly Weird Science replaced Saddle Romances with the May/June 1950 issue. Although the title and format change took effect with issue 12, Gaines and Feldstein decided not to restart the numbering in order to save money on second class postage. The Post Office took note and, starting with issue #5, all the issues were numbered correctly. Because of this, "Weird Science #12" could refer to either the May/June 1950 issue, or the actual 12th issue published in 1952. The same confusion exists for issues #13-15, #15 being the last issue published before EC reset the numbering.
Artist/Writer Harry Harrison claims credit for originally giving Gaines the notion of publishing science fiction. Harrison has stated that he and artist Wally Wood were interested in science fiction and gave Gaines science fiction stories to read. Harrison, however, had no editorial control over the contents of the comic aside from his own stories and left EC by the end of 1950.
Read more about Weird Science (comics): Artists and Writers, Stories and Themes, Influences and Adaptations, Demise, Reprints, Media Adaptations, Issue Guide
Famous quotes containing the words weird and/or science:
“Pregnant women! They had that weird frisson, an aura of magic that combined awkwardly with an earthy sense of duty. Mundane, because they were nothing unique on the suburban streets; ethereal because their attention was ever somewhere else. Whatever you said was trivial. And they had that preciousness which they imposed wherever they went, compelling attention, constantly reminding you that they carried the future inside, its contours already drawn, but veiled, private, an inner secret.”
—Ruth Morgan (1920–1978)
“As a science of the unconscious it is a therapeutic method, in the grand style, a method overarching the individual case. Call this, if you choose, a poet’s utopia.”
—Thomas Mann (1875–1955)