Weaving (mythology) - Greece

Greece

In Greece the Moirai (the "Fates") are the three crones who control destiny, and the matter of it is the art of spinning the thread of life on the distaff. Ariadne, the wife of the god Dionysus in Minoan Crete, possessed the spun thread that led Theseus to the center of the labyrinth and safely out again.

Among the Olympians, the weaver goddess is Athena, who punished the impious pretensions of her acolyte Arachne by turning her into a weaving spider. The daughters of Minyas, Alcithoe, Leuconoe and their sister, defied Dionysus and honored Athena in their weaving instead of joining his festival. A woven peplum, laid upon the knees of the goddess's iconic image, was central to festivals honoring both Athena at Athens, and Hera.

In Homer's legend of the Odyssey, Penelope the faithful wife of Odysseus was a weaver, weaving her design for a shroud by day, but unravelling it again at night, to keep her suitors from claiming her during the long years while Odysseus was away. Penelope has a high lineage that melds human and divine, and is she perhaps secretly Odysseus' own weaving goddess-nymph, like the two weaving enchantresses in the Odyssey, Circe and Calypso. Helen is at her loom in the Iliad.

Homer dwells upon the supernatural quality of the weaving in the robes of goddesses, and every writer reaching for a heroic style after him imitated an analogous passage.

In the terrible tale of Philomela, who was raped and her tongue cut out so that she could not tell about her violation, her loom becomes her voice, and the story is told in the design, so that her sister Procne may understand and the women may take their revenge. Ovid retold the old tales in his Metamorphoses (VI, 575–587). The understanding in the Philomela myth that pattern and design convey myth and ritual has been of great use to modern mythographers: Jane Ellen Harrison led the way, interpreting the more permanent patterns of vase-painting, since the patterned textiles had not survived.

The concept of weaving actually relates to mythology much more than simply appearing in myths, the English word text is derived from the Latin word for weaving, texare, explaining the source of terms like "weaving a story".

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