Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameStats | 8.0 / 10 (4 reviews) |
| Review scores | |
| Publication | Score |
| GamePro | |
| GameSpot | 3 of 5 |
| IGN | 7.5 of 10 |
WCW vs. nWo: World Tour proved to be one of THQ's biggest hits and was awarded the title of "Fighting Game of the Year" by the Academy of Interactive Arts & Sciences. It gained Player's Choice status with over a million copies sold and its 1998 re-release was instrumental in THQ's 59% revenue increase in the year's third quarter. World Tour eventually sold 1.3 million copies in the US, making it the second best-selling wrestling game for the N64 and ranking it amongst the console's all-time best selling titles.
The game received generally positive reviews. Praise was given particularly to the simple yet comprehensive gameplay approach and variety of fun multiplayer modes; IGN's Matt Casamassina went as far as to state, "If you even moderately enjoy wrestling but love multiplayer gaming, we don't see how you could go wrong with this game." Its 3D polygonal engine, character animation, and dynamic camera movements were also considered refreshing to a genre that had not experienced such modern innovations.
In IGN's 2008 "History of Wrestling Games" article, Rus McLaughlin reflected, "World Tour was just as revolutionary as the nWo storyline it borrowed, with all moves built off holds instead of happening out of nowhere. . . Suddenly, wrestling was all about the grapple again, and players loved it."
Read more about this topic: WCW Vs. NWo: World Tour
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)