Waylon Jennings - Music Style and Image

Music Style and Image

Jennings was characterized by his "powerful" singing voice, noted by his "rough-edged quality", as well as his phrasing and texture. Accompanying his vocals, he played guitar. He was recognized for his "spanky-twang" playing. To create his sound, he used a mixture of thumb and fingers during the rhythmic parts, while using picks for the lead runs. He combined hammer-on and pull-off riffs, with eventual upper-fret double stops and modulation effects. Jennings played a 1953 Fender Telecaster, which was a used guitar purchased as a gift to him by The Waylors. Jennings' bandmates adorned his guitar with a distinctive leather cover, that featured a black background with a white floral work. Jennings did further customizing work on the guitar, by filing down the frets to lower the strings on the neck to obtain the slapping sound. His signature image was characterized by his long hair and beard, as well as his black hat and the black leather vest he wore during his appareances.

Read more about this topic:  Waylon Jennings

Famous quotes containing the words music, style and/or image:

    The music in my heart I bore,
    Long after it was heard no more.
    William Wordsworth (1770–1850)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The image is in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.
    John Crowe Ransom (1888–1974)