Access
| Access to Water and Sanitation in TUNISIA (2004) | ||||
|---|---|---|---|---|
| Urban (64% of the population) |
Rural (36% of the population) |
Total | ||
| Water | Broad definition | 99% | 82% | 93% |
| House connections | 94% | 38% | 74% | |
| Sanitation | Broad definition | 96% | 65% | 85% |
| Sewerage | 75% | 4% | 49% | |
According to the Joint Monitoring Program by WHO and UNICEF, 93% of the Tunisian population had access to an improved source of water and 85% to adequate sanitation in 2004. Between 1990 and 2004, access to water increased from 81% to 93%, while the access to sanitation increased from 75% to 85%.
Tunisia has achieved the highest access rates to water supply and sanitation services among the MENA countries through sound infrastructure policy. 96% of urban dwellers and 52% of the rural population already have access to improved sanitation. By the end of 2006, access to safe drinking water has been expected to be close to universal (approaching 100% in urban areas and 90% in rural areas).
According to the Tunisian Ministry of Development and International Cooperation, in 2006 92.6% of the population had access to drinking water in homes.
Read more about this topic: Water Supply And Sanitation In Tunisia
Famous quotes containing the word access:
“Oh, the holiness of always being the injured party. The historically oppressed can find not only sanctity but safety in the state of victimization. When access to a better life has been denied often enough, and successfully enough, one can use the rejection as an excuse to cease all efforts. After all, one reckons, “they” don’t want me, “they” accept their own mediocrity and refuse my best, “they” don’t deserve me.”
—Maya Angelou (b. 1928)
“The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes—McCarthy and Stalin—that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.”
—Ishmael Reed (b. 1938)
“Power, in Case’s world, meant corporate power. The zaibatsus, the multinationals ..., had ... attained a kind of immortality. You couldn’t kill a zaibatsu by assassinating a dozen key executives; there were others waiting to step up the ladder; assume the vacated position, access the vast banks of corporate memory.”
—William Gibson (b. 1948)