Wat Phra Dhammakaya - Origins

Origins

It was established on Magha Puja Day, 20 February 1970, on an eighty-acre (320,000 m²) plot of land donated by Lady Prayat Phaetayapongsa-visudhathibodi by a group led by the monk Phrarajbhavanavisudh and his teacher Chandra Khonnokyoong. The site, sixteen kilometres north of Don Mueang International Airport, was originally called 'Soon Buddacakk-patipatthamm' (Thai: ศูนย์พุทธจักรปฏิบัติธรรม). From acidic paddy fields, a woodland was created: a parkland for meditators. The foundation stone for the main chapel laid by H.R.H. Princess Maha Chakri Sirindhorn on behalf of H.M. the King in December 1977 becoming officially recognized as a temple by the Thai government in 1978 originally under the name 'Wat Voranee Dhammakayaram'. The Main Chapel was completed in 1982 and the ceremony for the allocation of the chapel boundary (sima) was held three years later. While the temple was under construction, the Dhammadayada ordination scheme gave training to hundreds of university students, a steadily increasing number of whom swelled the number of residents in the temple community.

Read more about this topic:  Wat Phra Dhammakaya

Famous quotes containing the word origins:

    The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
    Lewis Mumford (1895–1990)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)