Warwick Vase - The Vase at Warwick Castle

The Vase At Warwick Castle

Disappointed by the British Museum, Hamilton shipped the fully restored vase to his elder nephew, George Greville, 2nd Earl of Warwick, who set it at first on a lawn at Warwick Castle, but with the intention of preserving it from the British climate, he commissioned a special greenhouse for it, fitted, however, with Gothic windows, from a local architect at Warwick, William Eboral:

"I built a noble greenhouse, and filled it with beautiful plants. I placed in it a vase, considered as the finest remains of Grecian art extant for size and beauty."

The vase was widely admired and much visited in the Earl's greenhouse, but he permitted no full-size copies to be made of it, until moulds were made at the special request of Lord Lonsdale, who intended to have a full-size replica cast— in silver. The sculptor William Theed the elder, who was working for the Royal silversmiths Rundell, Bridge & Rundell, was put in charge of the arrangements, but Lord Lonsdale changed his mind, and a project truly of Imperial Russian scale was aborted. The rich ornament, and the form, which is echoed in sixteenth-century Mannerist vases, combined to give the Warwick Vase great appeal to the nineteenth-century eye: numerous examples in silver and bronze were made, and porcelain versions by Rockingham and Worcester. Theed's moulds were sent to Paris, where two full-size bronze replicas were cast, one now Windsor Castle, the other in the Fitzwilliam Museum, Cambridge. Reduced versions in cast-iron continue to be manufactured as garden ornaments, and in these ways the Warwick Vase took up a place in the visual repertory of classical design. It was the model for the silver-gilt tennis trophy, the Norman Brookes Challenge Cup won at the Australian Open.