Wang Lixiong - Writings

Writings

In 1991, Yellow Peril was published by Mirror Books under pseudonym Bao Mi (Mandarin for "Kept Secret"), painted an apocalyptic scenario in which civil war erupts between north and south China - with Nationalist-ruled Taiwan backing the south - and ends in nuclear conflict and millions of starving refugees spilling across borders. For years, the author of one of the best-selling novels in the Chinese-speaking world was known simply to readers as "Bao Mi", for Wang’s own protection because he broke taboos and spelled China's doomsday. Yellow Peril was recently translated into English as China Tidal Wave.

Beginning with his solitary adventure rafting across Tibet plateau along the upper reaches of Yellow River in 1984, and after more than a decade study of Tibet during which he had been to Tibet dozens of times and lived in that region for more than two years, Wang finished his book Sky Burial: The Fate of Tibet in 1998. The book, with the honest and unbiased views; throughout investigation of histories; detailed analysis of issues and comprehensive supporting data, immediately won him high regards from both the supporters of Chinese government and followers of The Dalai Lama, and became a mandate in Tibet study.

From 1991 to 1994, he wrote a book of political theory, Dissolving Power: A Successive Multi-Level Electoral System, which drew tremendous disruptive responses although he himself valued it the most – some believed it offers a promising solution that China could and should adopt for a smooth transition towards democracy, some think it is purely a dream of utopia.

After ten more years of further study in progressive democracy, he completed another political theory book Bottom up Democracies in 2006. Realizing that it is not possible to promote his theory in China and make it a political reality, he started to research on internet development trying to find the linchpin which will connect his theory with real world.

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Famous quotes containing the word writings:

    Even in my own writings I cannot always recover the meaning of my former ideas; I know not what I meant to say, and often get into a regular heat, correcting and putting a new sense into it, having lost the first and better one. I do nothing but come and go. My judgement does not always forge straight ahead; it strays and wanders.
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    It has come to be practically a sort of rule in literature, that a man, having once shown himself capable of original writing, is entitled thenceforth to steal from the writings of others at discretion. Thought is the property of him who can entertain it; and of him who can adequately place it. A certain awkwardness marks the use of borrowed thoughts; but, as soon as we have learned what to do with them, they become our own.
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    Accursed who brings to light of day
    The writings I have cast away.
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