Work
Mignolo received his BA in Philosophy from the Universidad Nacional de Córdoba, Argentina in 1969. In 1974 he obtained his Ph.D. from the École des Hautes Études, Paris. He subsequently taught at the Universities of Toulouse, Indiana, and Michigan.
Since January 1993, Walter D. Mignolo has been the William H. Wannamaker Professor of Literature and Romance Studies at Duke University, USA, and has joint appointments in Cultural Anthropology and Romance Studies.
Mignolo co-edits the web dossier, Worlds and Knowledges Otherwise. He is the academic director of "Duke in the Andes", an interdisciplinary program in Latin American and Andean Studies in Quito, Ecuador, at the Universidad Politécnica Salesiana. Since 2000, he has directed the Center for Global Studies and the Humanities, a research unit within the John Hope Franklin Center for International and Interdisciplinary Studies. He has also been named Permanent Researcher at Large at the Universidad Andina Simón Bolívar in Quito, Ecuador.
Recently, Mignolo has ventured into what he calls "decolonial aesthetics," writing on artists Pedro Lasch, Fred Wilson (artist), and Tanja Ostojić. He contributed to Black Mirror/Espejo Negro, a book on the works of Pedro Lasch, edited by Lasch, published by Duke University Press.
Read more about this topic: Walter Mignolo
Famous quotes containing the word work:
“Early to bed, early to rise, work like hell and organize.”
—Albert Gore, Jr. (b. 1948)
“The Taylor and the Painter often contribute to the Success of a Tragedy more than the Poet. Scenes affect ordinary Minds as much as Speeches; and our Actors are very sensible, that a well-dressed Play has sometimes brought them as full Audiences, as a well-written one.... But however the Show and Outside of the Tragedy may work upon the Vulgar, the more understanding Part of the Audience immediately see through it, and despise it.”
—Joseph Addison (16721719)
“In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.”
—Susan Sontag (b. 1933)