Paintings and Drawings
Title or subject | Date | Exhibited | Present whereabouts |
---|---|---|---|
Doctoring the Cane | Liverpool Academy (1858)
British Institution, London (1859) |
Unknown | |
Trail of Dr Simon Bernard in the assassination attempt of Napoleon III | Sir John Simon's house,
Tavistock Square, London (1858) |
Unknown | |
Battle of Montebello, with 84th Regiment, headed by Colonel Cambuels
and General Forey, attacking the Austrians |
c. 1859 | Private exhibition at the apartment of the artist (c. 1859). Soon after shipped to an exhibition in Odessa in present-day Ukraine. | Unknown |
Attack and capture of the Bridge of Magenta by General Vinoy | c. 1859 | Private exhibition at the apartment of the artist (c. 1859). Soon after shipped to an exhibition in Odessa in present-day Ukraine. | Unknown |
The Emperor of The French at Solferino | c. 1859 | Private exhibition at the apartment of the artist (c. 1859). Soon after shipped to an exhibition in Odessa in present-day Ukraine. | Unknown |
Bivouac of French Troops at Alessandria | c. 1859 | Private exhibition at the apartment of the artist (c. 1859). Soon after shipped to an exhibition in Odessa in present-day Ukraine. | Unknown |
The Emperor Visiting the Wounded in Hospital | c. 1859 | Private exhibition at the apartment of the artist (c. 1859). Soon after shipped to an exhibition in Odessa in present-day Ukraine. | Unknown |
Reception of he Emperor and Count Cavour at Genoa | c. 1859 | Private exhibition at the apartment of the artist (c. 1859). Soon after shipped to an exhibition in Odessa in present-day Ukraine. | Unknown |
Peace Rejoicings at Milan, with the Cathedral brilliantly illuminated | c. 1859 | Private exhibition at the apartment of the artist (c. 1859). Soon after shipped to an exhibition in Odessa in present-day Ukraine. | Unknown |
Bible Stories | British Institution, London (1861) | Unknown | |
Interior of The Cathedral of San Lorenzo, Genoa | The Royal Scottish Academy (1861)
The Liverpool Society of Fine Arts (1862) |
Unknown | |
Il Monte della Croce, San Miniato, Florence | The Liverpool Society of Fine Arts (1862) | Unknown | |
Pancho Roblejo | 1864 | Unknown | |
Joaquin Cuadras | 1864 | Unknown | |
Don Baltasar Torrecillas (24 distemper sketches of the performer in different costumes) | 1864 | Unknown | |
The late daughter of Don Magin of Santiago, Cuba | 1864–1869 | Cuba | Unknown |
The late Don Pancho Aguerro y Matos of Santiago, Cuba | 1864–1869 | Cuba | Unknown |
Sabrina de la Torre | 1868 | Cuba | Unknown, but a photograph exists in a private collection in England |
James Hannay, Esq. | Royal Scottish Academy (1864) | Unknown | |
David Smith | 1864 | Unknown | |
Head | Royal Scottish Academy (1864) | Unknown | |
Sir Thomas Brassey (crayon) | 1870 | Normanhurst Court, Sussex (1870–?) | Unknown |
Lady Anna Brassey (crayon) | 1870 | Normanhurst Court, Sussex (1870–?) | Unknown |
The Brassey children (probably more than one portrait) | 1870 | Normanhurst Court, Sussex (1870–?) | Unknown |
Thomas Brassey Esq. senior | 1870 | Normanhurst Court, Sussex (1870–?) | Unknown |
Portrait of a Young Boy on a Horse | 1870 | Christies South Kensington, London (July 1998) | Unknown |
Mr Serjeant Simon MP | Royal Oak Hotel, Dewsbury, Yorkshire (1871) | Unknown | |
Evelyn, daughter of G. J. Reid esq. | Royal Academy (1871) | Unknown | |
Portrait of child holding a letter | 1872 | Lawrences Auctioneers, Somerset (2001)
Dreweatts Auctioneers, Devon, (2002) Private collector Bristol, Somerset (2002–2005) |
Private collection in USA |
Master Nicholls | 1872 | Unknown, but a photograph exists in a private collection in England | |
Mr. N Birkenruth | 1873 | Unknown, but a photograph exists in a private collection in England | |
Mrs. N Birkenruth | 1873 | Unknown, but a photograph exists in a private collection in England | |
Young Castile | Winter Exhibition of Cabinet Pictures in Oil, The Dudley Gallery (1874) | Unknown | |
Voices Of The Sea | Exhibition of Pictures by British and Foreign Artists, The French Gallery in Pall Mall (1874) | Unknown | |
Morning Work (also known as Cleaning Windows) | London Exhibition of Fine Arts (1876) | Unknown | |
The Language Of The Face (drawing) | The Dudley Gallery (1876) | Unknown | |
A Factory Girl | The Dudley Gallery (1878) | Unknown | |
His Excellency Kuo Ta-Jen | Royal Academy (1878)
The Walker Art Gallery (1879) |
Unknown, but a photograph exists in a private collection in England | |
Madonna in Prayer (Commissioned copy of Sassofferato's work) | Chinese Embassy, London (1878)
Berlin, Germany after 1879 |
Unknown | |
A Chinese Lady of Rank | Windsor Castle (1879)
Royal Academy (1879) |
Unknown, but a photograph exists in a private collection in England | |
Portrait of a Chinese lady in native attire. (Kuo Tai-Tai — the wife of Kuo-Ta-Jen — with her new son, Ying-Sung, and the child's nurse) | 1879 | Taken to China by Kuo Ta-Jen soon after it was completed.
Unknown |
|
Major General William Yorke-Moore | 1879 |
The Keep Military Museum, Dorchester, Dorset, England |
|
Self-portrait | 1880 | Walter Goodman's The Printseller's Window: Solving A Painter's Puzzle, The Lockhart Gallery of the Memorial Art Gallery of the University of Rochester, New York, USA (2009) | Private collection in USA |
HRH Prince Leopold | Royal Academy (1881)
Exhibition of City of London Society of Artists, The Guildhall (1884) Manchester Institution (1884) Malborough House (1884) Prince Leopold Wing of The National Hospital in London (1884–?) |
Unknown | |
A Kitchen Cabinet | 1882 | Walter Goodman's The Printseller's Window: Solving A Painter's Puzzle, The Lockhart Gallery of the Memorial Art Gallery of the University of Rochester, New York, USA (2009) | Private collection in USA |
Home of The Bamboo | c. 1882 | Walter Goodman's The Printseller's Window: Solving A Painter's Puzzle, The Lockhart Gallery of the Memorial Art Gallery of the University of Rochester, New York, USA (2009) | Private collection in Sweden |
The Printseller's Window | c. 1882 | St. James's Gallery, London (1883)
The Walker Art Gallery (1883) Liverpool Autumn Exhibition (1883) Royal Scottish Academy (1884) Burlington Gallery, Bond Street (1884) Folkestone Art Treasures Exhibition (1886) Edinburgh Academy of Arts (c. 1886) Goodman's Studios at 88 Kings Road, Brighton (1891) British and Foreign Art Galleries Section, Earls Court (1891) Venice in London Exhibition, Olympia (1891) 19th Century Society Exhibition (1894) Tillou Gallery, Connecticut, USA (1965) Newport, Rhode Island, USA (arr. Tillou) (1965) Alexander Gallery, New York, USA (1969) Masco Corporation, Taylor, Michigan, USA (1986) The Art Museum of Western Virginia, Roanoke, Virginia, USA (1986) The American Spirit: 19th Century Masterpieces from the Masco Collection (1994) Sotheby's, New York, USA (1998) Permanent collection of the Memorial Art Gallery of the University of Rochester, New York, USA (1998) National Gallery of Art, Washington DC, USA (2002–2003) Walter Goodman's The Printseller: Solving A Painter's Puzzle, The Lockhart Gallery of the Memorial Art Gallery of the University of Rochester, New York, USA (2009) |
Memorial Art Gallery of the University of Rochester, New York, USA |
Fresh and Pure (also known as Pure and Undefiled) | St. James's Gallery, London (1883) | Unknown | |
Candidate For The Front Row (also known as First at the Gallery Door) | St. James's Gallery, London (1883) | Unknown | |
Andrew Halliday (drawing) | 1883 | Savage Club, London (1883) | Unknown |
At The Theatre Door | 1883 | Private collection in Sweden | |
Idle Dreams | City of London Society of Artists (1884) | Unknown | |
In Possession | City of London Society of Artists (1884) | Unknown | |
Longing Eyes | Liverpool Autumn Exhibition (1884) | Private collection in England | |
Mrs. Alfred Mellon | 1884 | Goodman's Studios at 88 Kings Road, Brighton (1891) | Unknown |
Mrs. Keeley at Fourscore | 1884 | Institute of Oil Painters (1885)
Burlington Gallery, Bond Street (1885) Presented to The Garrick Club (1886) Signor Palladiense Gallery, London (1887) Hennah and Kent's Studio, Old Kent Road, London (1887) |
The Garrick Club, London |
Mrs. Keeley at Fourscore (drawing for Pall Mall Gazette) | 1885 | Unknown | |
The Golden Valley (landscape of Chalford valley) | 1884–1885 | Unknown | |
The Golden Valley (second landscape of Chalford valley) | 1884–1885 | Unknown | |
Mr G. Holloway (drawing) | 1884 | Unknown | |
Untitled painting of the 2 year old baby in the stage production My Sweetheart | 1886 | Sent to California after completion | Unknown |
Fanny Stirling | Presented to The Garrick Club (1886)
Signor Palladiense Gallery, London (1887) Hennah and Kent's Studio, Old Kent Road, London (1887) |
The Garrick Club, London | |
Grace Darling | Signor Palladiense Gallery, London (1887) | Unknown | |
Louise Keeley(Mrs. Montague Williams, Q.C.) | c. 1887 | Unknown | |
Mrs. Keeley in her 83rd year
(also known as The Academy Keeley) |
Goodman's Studios at 88 Kings Road, Brighton (1888)
Royal Academy (1888) The Savage Club (1888 or later) Exhibition of Jewish Art and Antiquities, The Whitechapel Art Gallery, London (1906) |
Unknown | |
Mr Henry Russell (also known as Henry Russell at 77) | Institute of Oil Painters (1889)
Presented to The Savage Club (1890) Exhibition of Dramatic and Musical Art, The Grafton Galleries, London (1897) |
Unknown | |
Amy Sedgwick | 1889 | Presented to The Garrick Club (1897), deaccessioned in 1965 | Unknown |
Mr. Lionel Brough | Institute of Oil Painters (1889) | Unknown | |
Kathleen | Institute of Oil Painters (1889) | Unknown | |
His Excellency Kuo Ta-Jen (replica of original) | Goodman's Studios at 88 Kings Road, Brighton (1891) | Unknown | |
Countess of Munster | Goodman's Studios at 88 Kings Road, Brighton (1891) | Unknown | |
Untitled children in black and white (drawing) | Goodman's Studios at 88 Kings Road, Brighton (1891) | Unknown | |
Untitled children in black and white (second drawing) | Goodman's Studios at 88 Kings Road, Brighton (1891) | Unknown | |
Benvenuto Barovier | 1891 | Unknown | |
The Late Mr. Wilkie Collins at the age of 56
(also known as Wilkie Collins) |
Folkestone Art Treasures Exhibition (1886)
The Royal Society of British Artists (1890) Goodman's Studios at 88 Kings Road, Brighton (1891) |
Unknown | |
Prince Hohenlohe | Late 1890s | Poděbrady, Bohemia | Unknown |
Prince Hohenlohe's daughter, Elisabeth | Late 1890s | Poděbrady, Bohemia | Unknown |
Julia Goodman (drawing) | 1902 | Private collection in England | |
Young Keeley | 1905 | Institute of Oil Painters (1906) | Private collection in England |
The Late Mr. Samson Lucas | Exhibition of Jewish Art and Antiquities, The Whitechapel Art Gallery, London (1906) | Unknown | |
The Cuban Mulatto Girl | Exhibition of Jewish Art and Antiquities, The Whitechapel Art Gallery, London (1906) | Unknown | |
Mary Anne Keeley | Private collection in England | ||
Untitled portrait of a young woman
possibly entitled Beguiling Eyes |
Private collection in England | ||
Untitled portrait of a young woman
in period clothes with ruff |
Private collection in England | ||
Untitled portrait of a young boy | Private collection in England | ||
Untitled portrait of a young girl | Private collection in England | ||
Alfred, Duke of Edinburgh | Unknown | ||
E. W. Mackney | Unknown | ||
Benvenuto Salviati | Unknown | ||
Don Baltasar Torrecillas | Unknown | ||
Henry Pettit | Unknown | ||
Sir Thomas Sowler | Unknown | ||
Lady Sowler | Unknown | ||
Miss Mabel Sowler | Unknown | ||
George Macfarren | Unknown | ||
Julia Goodman | Unknown |
Dates specified are the earliest recorded date the work was displayed, or in some cases the year it was completed.
Read more about this topic: Walter Goodman
Famous quotes containing the words paintings and, paintings and/or drawings:
“Not Seeing is Believing you ninny, but Believing is Seeing. For modern art has become completely literary: the paintings and other works exist only to illustrate the text.”
—Tom Wolfe (b. 1931)
“All photographs are there to remind us of what we forget. In thisas in other waysthey are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
—John Berger (b. 1926)
“The pleasures of the imagination are as it were only drawings and models which are played with by poor people who cannot afford the real thing.”
—G.C. (Georg Christoph)