Walter Bradford Woodgate - Writing

Writing

As well as providng the rowing coverage in Vanity Fair for most of the years there was any to speak of, Woodgate also had several books published:

  • Oars and Sculls, and How to Use Them (1874)
  • The O. V. H.; or, How Mr. Blake became an M. F. H. (1884)
  • Boating (1888, for the Badminton Library set),
  • Rowing and Sculling ... Illustrated (1889 for the All England Series)
  • A Modern Layman's Faith (1893)
  • Tandem (A novel) (1895)
  • Reminiscences of an Old Sportsman (1909),

He contributed to The Field for half a century, frequently “produc the leading article in a curious but flexible English, which was quite unmistakable.” Woodgate’s writing attests to his clerical family background, classical Greek and Latin schooling, years of lawyering, and an unsuppressable urge to tell stories, laced with legalisms and couplets from Horace. He could, wrote T. A. Cook, who rowed for Oxford in 1889 with Vanity Fair’s Guy Nickalls, “write anything from a curate’s sermon to a leading article on the Torts of Landlords or a racy description of a prize fight and a sculling match.”

Read more about this topic:  Walter Bradford Woodgate

Famous quotes containing the word writing:

    Romance reading and writing might be seen ... as a collectively elaborated female ritual through which women explore the consequences of their common social condition as the appendages of men and attempt to imagine a more perfect state where all the needs they so intensely feel and accept as given would be adequately addressed.
    Janice A. Radway (b. 1949)

    I am writing for myself and strangers. This is the only
    way that I can do it. Everybody is a real one to me,
    everybody is like some one else too to me. No one of
    them that I know can want to know it and so I write
    for myself and strangers.
    Gertrude Stein (1874–1946)

    Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.
    Elie Wiesel (b. 1928)