Works
Among Walter Benjamin’s works are:
- Zur Kritik der Gewalt (Critique of Violence, 1921).
- Goethes Wahlverwandtschaften (Goethe’s Elective Affinities, 1922).
- Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama, 1928).
- Einbahnstraße (One Way Street, 1928).
- "Karl Kraus" (1931 in the Frankfurter Zeitung).
- Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (The Work of Art in the Age of Mechanical Reproduction, 1936).
- Berliner Kindheit um 1900 (Berlin Childhood around 1900, 1950).
- Über den Begriff der Geschichte (On the Concept of History / Theses on the Philosophy of History), 1940.
- Das Paris des Second Empire bei Baudelaire (The Paris of the Second Empire in Baudelaire, 1938).
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Famous quotes containing the word works:
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)