Thought
Walter Benjamin corresponded much with Theodor Adorno and Bertolt Brecht, and was occasionally funded by the Frankfurt School under the direction of Adorno and Horkheimer, even from their New York City residence. The competing influences — Brecht’s Marxism, Adorno’s critical theory, Gerschom Scholem’s Jewish mysticism — were central to his work, although their philosophic differences remained unresolved. Moreover, the critic Paul de Man argued that the intellectual range of Benjamin’s writings flows dynamically among those three intellectual traditions, deriving a critique via juxtaposition; the exemplar synthesis is On the Concept of History (Theses on the Philosophy of History).
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“Knowing what [Christ] knew , knowing all about mankind—ah! who would have thought that the crime is not so much to make others die, but to die oneself—confronted day and night with his innocent crime, it became too difficult to go on. It was better to get it over with, to not defend himself, to die, in order not to be the only one to have survived, and to go elsewhere, where, perhaps, he would be supported.”
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