Thought
Walter Benjamin corresponded much with Theodor Adorno and Bertolt Brecht, and was occasionally funded by the Frankfurt School under the direction of Adorno and Horkheimer, even from their New York City residence. The competing influences — Brecht’s Marxism, Adorno’s critical theory, Gerschom Scholem’s Jewish mysticism — were central to his work, although their philosophic differences remained unresolved. Moreover, the critic Paul de Man argued that the intellectual range of Benjamin’s writings flows dynamically among those three intellectual traditions, deriving a critique via juxtaposition; the exemplar synthesis is On the Concept of History (Theses on the Philosophy of History).
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“Through all opposition the personal benefits of the reform [dress] [bracketed word in original] have compensated; but had it been mainly sacrifice, the thought of working for the amelioration of women and the elevation of humanity would still have been the beacon-star guiding me on amid all discouragements.”
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