Thought
Walter Benjamin corresponded much with Theodor Adorno and Bertolt Brecht, and was occasionally funded by the Frankfurt School under the direction of Adorno and Horkheimer, even from their New York City residence. The competing influences — Brecht’s Marxism, Adorno’s critical theory, Gerschom Scholem’s Jewish mysticism — were central to his work, although their philosophic differences remained unresolved. Moreover, the critic Paul de Man argued that the intellectual range of Benjamin’s writings flows dynamically among those three intellectual traditions, deriving a critique via juxtaposition; the exemplar synthesis is On the Concept of History (Theses on the Philosophy of History).
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“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writinghe will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
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“I thought I heard the dark pounding its head
On a rock, crying: Who are the dead?”
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