Performing Career
The later generations regard him as the greatest Surbahar-player of his generation, however he was also one of the greatest sitar-players of his generation. His available disc recordings of Khamaj (Vilambit Gat-Toda) and Piloo (Drut) both on the Sitar offer a glimpse of his virtuosity on the instrument. In Kolkata, Wahid Khan used to accompany his father in many of the latter's concerts on the Sitar and the Surbahar and received huge appreciation and critical acclaim everywhere.
Imdad Khan, later, moved out of Kolkata to settle in Indore as the Court-musician of the Maharaja Holkar of Indore. His sons Enayat Khan and Wahid Khan accompanied him to Indore. There Imdad Khan died, following which Enayat Khan left Indore and returned to Kolkata, while Wahid Khan was appointed the Court-musician of the Indore Darbar, where he lived for 18 years on a very high salary. Wahid Khan also served the Patiala Darbar for 3 years as its Court-musician. He was also the Court-musician of the Nizam of Hyderabad.
Wahid Khan was a regular performer at the All India Radio. He also performed all over India and received numerous awards and medals from the famous institutions of Tikamgarh, Rewa, Baroda, Mysore, Dhaulpur, etc.
Ustad Wahid Khan also appeared in legendary filmmaker Satyajit Ray’s international award winning film Jalsaghar (The Music Room, 1958) where he performs on the surbahar in one of the scenes.
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