Later Life
In 1953, Mainer and his wife settled in Flint, Michigan, where he found work at a General Motors factory. Although renouncing both the music industry and his trademark instrument, the banjo, he and Julia did continue to sing at gospel revival meetings. In the early 1960s, Molly O'Day convinced him that he could use the banjo in gospel recordings, which spurred a series of religiously-theme banjo albums beginning in 1961. He also began to record and tour with his wife.
Mainer retired from General Motors in 1973. Mainer has been credited with bridging the gap between old-time mountain music and Bluegrass and musicians such as Bill Monroe, Ralph Stanley and Doc Watson have all cited Mainer as a source of influence. He has also been called the "Grandfather of Bluegrass." His influence was not limited to the United States. Pete Smith, of the British newspaper The Advertiser, in a report for Mainer's 100th birthday, cited Mainer as "one of the most influential figures in the development of modern bluegrass," noting his picking style and his efforts in bringing bluegrass closer to the mainstream. In addition, Smith also credits him for making the banjo, an instrument previously described as "satanic," acceptable for spiritually-themed music. Mainer continued to live with his wife in Flint, where he celebrated his centenary in 2007 and performed at a concert for his 101st birthday in 2008. Mainer died of congestive heart failure on September 12, 2011. He was 104.
Read more about this topic: Wade Mainer
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