The Wacky WallWalker was a toy molded out of a sticky elastomer. It was shaped similar to an octopus, and when thrown against a wall would "walk" its way down. It was a hugely popular toy in the early 1980s.
Before its introduction in the United States, Ken Hakuta received in the mail several sticky octopus-like toys from his mother, who lived in Japan. They were intended for his children, but Hakuta found himself fascinated with the toy, which was called Tako in Japan. He realized their marketing potential, and after purchasing rights to the product in 1983 for $100,000, he began to market them locally in Washington, D.C., dubbing them "Wacky WallWalkers". Their popularity was mediocre, until Nina Hyde of The Washington Post wrote a feature story on them. This created a buzz, and people in the Washington area flooded local stores to purchase them. Within the next several months, hundreds of media outlets ran stories on them, creating one of the biggest selling fads of all time. As the fad began to decline, over 240 million Wacky WallWalkers had been sold, raking in about 80 million dollars.
The popular toy was featured in the 1983 animated Christmas special Deck the Halls with Wacky Walls, starring the voices of Daws Butler, Tress MacNeille, and Marvin Kaplan. The show featured seven Wallwalkers from the planet Kling-Kling: Big Blue, Springette, Bouncing Baby Boo, Crazylegs, Stickum, Wacko, and their leader, Kling-Kling. One character in the special was modeled after Hakuta's son, Kenzo.
The Wacky WallWalker was referenced in The Simpsons' "Treehouse of Horror XXII"'s Avatar parody when the female alien hit a tree and "walked" down it in the manner of the Wacky WallWalker.
Famous quotes containing the words wall and/or walker:
“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist’s way of scribbling “Kilroy was here” on the wall of the final and irrevocable oblivion through which he must someday pass.”
—William Faulkner (1897–1962)
“If a walker is indeed an individualist there is nowhere he can’t go at dawn and not many places he can’t go at noon. But just as it demeans life to live alongside a great river you can no longer swim in or drink from, to be crowded into safer areas and hours takes much of the gloss off walking—one sport you shouldn’t have to reserve a time and a court for.”
—Edward Hoagland (b. 1932)