W. S. Merwin - Career

Career

After attending Princeton University, Merwin married his first wife, Dorothy Jeanne Ferry, and moved to Spain. During his stay there, while visiting the renowned poet Robert Graves at his homestead on the island of Majorca, he served as tutor to Graves's son. There, he met Dido Milroy — fifteen years older than he — with whom he collaborated on a play and whom he later married and lived with in London. In 1956, Merwin moved to Boston for a fellowship at the Poets' Theater. He returned to London where he was friends with Sylvia Plath and Ted Hughes. In 1968, Merwin moved to New York City, separating from his wife who stayed at their home in France. In the late 1970s, Merwin moved to Hawaii and eventually was divorced from Dido Milroy. He married Paula Schwartz in 1983.

In 1952 Merwin's first book of poetry, A Mask for Janus, was published in the Yale Younger Poets Series. W. H. Auden selected the work for that distinction. Later, in 1971 Auden and Merwin would exchange harsh words in the pages of The New York Review of Books. Merwin had published "On Being Awarded the Pulitzer Prize" in the June 3, 1971, issue of The New York Review of Books outlining his objections to the Vietnam War and stating that he was donating his prize money to the draft resistance movement.

From 1956 to 1957 Merwin was also playwright-in-residence at the Poet's Theatre in Cambridge, Massachusetts; he became poetry editor at The Nation in 1962. Besides being a prolific poet (he has published over fifteen volumes of his works), he is also a respected translator of Spanish, French, Latin and Italian poetry (including Dante's Purgatorio) as well as poetry from Sanskrit, Yiddish, Middle English, Japanese and Quechua. He also served as selector of poems of the late American poet Craig Arnold (1967–2009).

Merwin is probably best known for his poetry about the Vietnam War, and can be included among the canon of Vietnam War-era poets which includes such luminaries as Robert Bly, Adrienne Rich; Denise Levertov; Robert Lowell; Allen Ginsberg and Yusef Komunyakaa. In 1998, Merwin wrote Folding Cliffs: A Narrative, an ambitious novel-in-verse about Hawai`i in history and legend.

Merwin's early subjects were frequently tied to mythological or legendary themes, while many of his poems featured animals. A volume called The Drunk in the Furnace (1960) marked a change for Merwin, in that he began to write in a much more autobiographical way. The title-poem is about Orpheus, seen as an old drunk. 'Where he gets his spirits / it's a mystery', Merwin writes; 'But the stuff keeps him musical'. Another poem of this period — 'Odysseus' — reworks the traditional theme in a way that plays off poems by Stevens and Graves on the same topic.

In the 1960s, Merwin lived in a small apartment in New York City's Greenwich Village, and began to experiment boldly with metrical irregularity. His poems became much less tidy and controlled. He played with the forms of indirect narration typical of this period, a self-conscious experimentation explained in an essay called 'On Open Form' (1969). The Lice (1967) and The Carrier of Ladders (1970) remain his most influential volumes. These poems often used legendary subjects (as in 'The Hydra' or 'The Judgment of Paris') to explore highly personal themes.

In Merwin's later volumes — such as The Compass Flower (1977), Opening the Hand (1983), and The Rain in the Trees (1988) — one sees him transforming earlier themes in fresh ways, developing an almost Zen-like indirection. His latest poems are densely imagistic, dream-like, and full of praise for the natural world. He has lived in Hawaii since the 1970s, and one sees the influence of this tropical landscape everywhere in the recent poems, though the landscape remains emblematic and personal. Migration (Copper Canyon Press, 2005) won the 2005 National Book Award for poetry. A lifelong friend of James Wright, Merwin wrote an elegy to him that appears in the 2008 volume From the Other World: Poems in Memory of James Wright.

The Shadow of Sirius, published in 2008 by Copper Canyon Press, was awarded the 2009 Pulitzer Prize for poetry.

In June 2010, the Library of Congress named Merwin the seventeenth United States Poet Laureate to replace the outgoing Kay Ryan.