Works
The roots of the Vorkosigan Saga lie in an early short story by Bujold, "Dreamweaver's Dilemma", which features a planet called Beta Colony and a character with the last name of Naismith. When beginning her first novel, Shards of Honor, Bujold incorporated these elements, but greatly expanded. She followed that up with the second novel with the same setting, The Warrior's Apprentice then worked on Ethan of Athos. After being rejected by four publishers, The Warrior's Apprentice was accepted by Baen Books, who agreed to a three-book deal to include the two other novels.
Shards of Honor and Barrayar concern Miles' parents, while "Dreamweaver’s Dilemma" concerns a distant ancestor of Cordelia Naismith, Ethan of Athos involves a few minor characters from other Vorkosigan novels, and Falling Free does not involve Miles or any of his family, though in a later novel, Miles encounters the descendants of the characters from Falling Free . While all the books and novellas are currently in print as ebooks, in America they are in print as omnibus editions.
Read more about this topic: Vorkosigan Saga
Famous quotes containing the word works:
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (1700–1748)
“A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
—Anita Brookner (b. 1938)