Voices of A Distant Star - Plot

Plot

A middle-school girl named Mikako Nagamine is recruited to the UN Space Army in a war against a group of aliens called the Tarsians, named after the Martian region (Tharsis) where they were first encountered. As a Special Agent, Mikako pilots a Tracer, a giant robotic mecha as part of a fighting squadron attached to the spacecraft carrier Lysithea.

When the Lysithea leaves Earth to search for the Tarsians with Mikako on board, Mikako's friend Noboru Terao remains behind. The two continue to communicate across interplanetary, and eventually interstellar space via the email facilities on their mobile phones.

As the Lysithea travels deeper into space, the emails take increasingly longer to reach Noboru on Earth, and the time-lag of their correspondence eventually spans years.

The narrative begins in 2047. Mikako is apparently alone in a hauntingly empty city, trying to contact people through her cell phone. She finally says, in an empty classroom with stacked chairs, "Noboru? I'm going home, okay?", a rhetorical question which is answered with a busy line on her cell phone. Then she wakes up to discover that she is in her Tracer orbiting an alien gas giant. She then goes to Agartha, the (fictional) fourth planet of the Sirius System, .

In the middle of the anime proper, she sends an email to Noboru (which shows the date 2047-09-16), with the subject "I am here", saying "to the 24-year old Noboru, from the 15-year old Mikako" which would only reach him 8 years, 224 days and 18 hours later, and just hopes it reaches him. Some flashes of imagery, perhaps indicative of memory, a hallucination, or even a mystical encounter, are then shown. It is a morphing character that looks like a younger Mikako. While they're speaking however, that character morphs into a Tarsian and then into an older version of herself. The same room where she woke up in the beginning of the animation is presented again, with the same ambience, but this time she is squatting in the corner, sobbing and pleading with her doppelganger to let her see Noboru just one more time to be able to say "I love you" to him.

The other being says "It will be all right. You will see him again". The ship's alarm starts warning her that the Tarsians are suddenly coming from everywhere. Mikako cries even more, yelling "I don't understand!". A climactic battle ensues. Meanwhile, back on Earth, Noboru receives the message, albeit almost 9 years in the future. A voice-over dialogue commences between the two of them which functions as a synchronous soliloquy on the same subject. Meanwhile, back at Agartha, three of the four carriers equipped with the warp engines which brought the expeditionary force to Sirius have been destroyed. The Lysithea is still intact after Mikako joins the fight and stops its destruction. After winning the battle, Mikako lets her damaged Tracer drift in space. Alternatively, in the manga 16 years old Mikako sends a message to 25 years old Noboru, telling him that she loves him. By this time Noboru has joined the UN, who have launched a rescue mission for the Lysithea. When Mikako hears the news from her crew mate that that UN is sending help for their rescue, she consults a list of people on the mission, Noboru being one of them. She ends by saying that they will definitely meet again.

Read more about this topic:  Voices Of A Distant Star

Famous quotes containing the word plot:

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)

    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
    —E.M. (Edward Morgan)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)