Film
| Year | Title | Role | Director | Other main cast members |
|---|---|---|---|---|
| 1935 | The Village Squire | Rose Venables | Reginald Denham | David Horne and Leslie Perrins |
| 1935 | Things Are Looking Up | School girl | Albert de Courville | Cicely Courtneidge |
| 1935 | Look Up and Laugh | Marjorie Belfer | Basil Dean | Gracie Fields |
| 1935 | Gentlemen's Agreement | Phil Stanley | George Pearson | Frederick Peisley Anthony Holles |
| 1937 | Fire Over England | Cynthia | William K. Howard | Flora Robson Raymond Massey Leslie Banks Laurence Olivier |
| 1937 | Dark Journey | Madeleine Goddard | Victor Saville | Conrad Veidt |
| 1937 | Storm in a Teacup | Victoria Gow | Ian Dalrymple and Victor Saville | Rex Harrison Cecil Parker Sara Allgood |
| 1938 | A Yank at Oxford | Elsa Craddock | Jack Conway | Robert Taylor Lionel Barrymore Maureen O'Sullivan Edmund Gwenn |
| 1938 | Sidewalks of London | Libby | Tim Whelan | Charles Laughton Rex Harrison |
| 1939 | Gone with the Wind | Scarlett O'Hara | Victor Fleming | Clark Gable Leslie Howard Olivia de Havilland |
| 1940 | 21 Days | Wanda | Basil Dean | Laurence Olivier Filmed in 1937 |
| 1940 | Waterloo Bridge | Myra | Mervyn LeRoy | Robert Taylor Lucile Watson Virginia Field |
| 1941 | That Hamilton Woman | Emma Hamilton | Alexander Korda | Laurence Olivier Alan Mowbray Sara Allgood Gladys Cooper |
| 1945 | Caesar and Cleopatra | Cleopatra | Gabriel Pascal | Claude Rains Stewart Granger Flora Robson |
| 1948 | Anna Karenina | Anna Karenina | Julien Duvivier | Ralph Richardson |
| 1951 | A Streetcar Named Desire | Blanche DuBois | Elia Kazan | Marlon Brando Kim Hunter Karl Malden |
| 1955 | The Deep Blue Sea | Hester Collyer | Anatole Litvak | Kenneth More |
| 1961 | The Roman Spring of Mrs. Stone | Karen Stone | José Quintero | Warren Beatty Lotte Lenya |
| 1965 | Ship of Fools | Mary Treadwell | Stanley Kramer | Simone Signoret José Ferrer Lee Marvin |
Read more about this topic: Vivien Leigh Chronology Of Stage And Film Performances
Famous quotes containing the word film:
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)