Research and Theoretical Background
The Dutch nonprofit organization the "Maria J. Krabbe Stichting Beelddenken" conducts research on "beelddenken". The "Maria J. Krabbe Stichting" has developed a test, named the "Ojemann wereldspel", to identify children who rely primarily on visual-spatial thinking. In this test, children are asked to build a village with toy houses and then replicate it a few days later.
In the Netherlands there is a strong and growing interest in the phenomenon of 'true' "picture thinking", or "beelddenken". As a result of increased media coverage during the last few years, there is an acceptance of its existence by the general public, despite criticism from Dutch psychologists and development theorists, principally N. van Woerden and R. Wiers. Several websites and foundations are dedicated to "beelddenken".
Read more about this topic: Visual Thinking
Famous quotes containing the words research and, research, theoretical and/or background:
“I did my research and decided I just had to live it.”
—Karina O’Malley, U.S. sociologist and educator. As quoted in the Chronicle of Higher Education, p. A5 (September 16, 1992)
“The great question that has never been answered, and which I have not yet been able to answer, despite my thirty years of research into the feminine soul, is “What does a woman want?” [Was will das Weib?]”
—Sigmund Freud (1856–1939)
“The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have—very largely if not entirely—lost our comprehension, both theoretical and practical, of morality.”
—Alasdair Chalmers MacIntyre (b. 1929)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)