Association of Visual Semiotics
The International Association of Visual Semiotics was formed in 1989. The Association, being of an international nature, recognizes three official languages: English, French, and Spanish. The Association has is called different things in French and Spanish: Association Internationale de Sémiotique Visuelle, and El Asociación Internacional de Semiótica Visual, respectively.
Congresses have been held in Blois (France) 1989, Bilbao (Spain) 1992, Berkeley (California, USA) 1994, São Paulo (Brazil) 1996, Siena (Italy) 1999, Québec (Canada) 2001, Mexico city 2003, Lyon (France) 2004, Istanbul (Turkey) 2007, Venice (Italy) 2010, and Buenos Aires (Argentina) 2012.
- President: José Luis Caivano (University of Buenos Aires, Argentina)
- General Secretary: Göran Sonesson (University of Lund, Sweden).
Previous Presidents: Jean-Marie Klinkenberg (2001-2012), Paolo Fabbri (1998-2001), Ana Claudia de Oliveira (1996-1998), Jacques Fontanille (1994-1996), Fernande Saint-Martin (1990-1994), Michel Costantini (1989-1990).
Read more about this topic: Visual Semiotics
Famous quotes containing the words association of, association and/or visual:
“With all their faults, trade-unions have done more for humanity than any other organization of men that ever existed. They have done more for decency, for honesty, for education, for the betterment of the race, for the developing of character in man, than any other association of men.”
—Clarence Darrow (1857–1938)
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)