Original Television Play and Broadway Production
Gore Vidal wrote this as a television play in which form it debuted on May 8, 1955 on Goodyear Television Playhouse. Later he reworked it for the Broadway stage, where it debuted on February 7, 1957 and ran for 388 performances. Star Cyril Ritchard, who also directed, received a Tony Award nomination for his performance as Kreton. Eddie Mayehoff also received a nomination for Best Performance by a Featured Actor.
Before playing on Broadway the play was performed at the Shubert Theatre in New Haven, Connecticut January 16–19, 1957. Starring Cyril Ritchard and Eddie Mayehoff.
Vidal intended the play as a satire on the post-World War II fear of Communism in the United States, McCarthyism, Cold War military paranoia and the rising importance of television in American life. A major critical success, it was subtitled A Comedy Akin to Vaudeville.
The play tells the story of Kreton, an alien from an unnamed planet who lands on Earth intending to view the American Civil War. He miscalculates and lands instead 100 years later. Having missed the opportunity to see conflict first hand, but delighted with all the new playthings the twentieth century has invented for war-making, he decides to create a war for himself.
Read more about this topic: Visit To A Small Planet
Famous quotes containing the words original, television, play, broadway and/or production:
“Such is oftenest the young mans introduction to the forest, and the most original part of himself. He goes thither at first as a hunter and fisher, until at last, if he has the seeds of a better life in him, he distinguishes his proper objects, as a poet or naturalist it may be, and leaves the gun and fish-pole behind. The mass of men are still and always young in this respect.”
—Henry David Thoreau (18171862)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving ones ordinary surroundings, soap operas are in fact spatially inseparable from the rest of ones life. In homes where television is on most of the time, they are also temporally integrated into ones real life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“If every man possessed everything he wanted, and no one had the power to interfere with such possession; or if no man desired that which could damage his fellow-man, justice would have no part to play in the universe.”
—Thomas Henry Huxley (182595)
“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (18941961)
“The society based on production is only productive, not creative.”
—Albert Camus (19131960)