Vision On - Concept and Production

Concept and Production

Vision On was conceived and developed by BBC producers Ursula Eason and Patrick Dowling to replace a monthly series For the Deaf, a programme paced slowly enough for children to read captions and subtitles. It was noted in surveys that a favourite for deaf children was Top of the Pops, due to its lively and fast-moving format and the fact that even the profoundly deaf could still enjoy the music's lower frequency notes.

There was initial disagreement as to whether lip-reading or British sign language would be more appropriate. Eventually it was decided that, since the new programme was intended as entertainment rather than education, communication would be entirely visual, the amount of text would be severely limited and, except for a few repeated statements, speech would be abandoned altogether. The title Vision On referred to the illuminated sign in studios indicating that cameras were live. Normally another sign "Sound On" would follow, but the titles for Vision On deliberately omitted this. The programme's logo is made up from the words of the title and its reflection.

The aim of the programme was to entertain but also to encourage imagination, with a fast-paced flow of contrasting ideas, both sane and silly. This mixture was an apparent success as the series ran for twelve years and, while retaining a commitment to the deaf, attracted a wider following and gained several awards including the international Prix Jeunesse and the BAFTA Award for Specialised Programmes.

Read more about this topic:  Vision On

Famous quotes containing the words concept and/or production:

    The two most far-reaching critical theories at the beginning of the latest phase of industrial society were those of Marx and Freud. Marx showed the moving powers and the conflicts in the social-historical process. Freud aimed at the critical uncovering of the inner conflicts. Both worked for the liberation of man, even though Marx’s concept was more comprehensive and less time-bound than Freud’s.
    Erich Fromm (1900–1980)

    The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.
    Albert Camus (1913–1960)