Published Works
In addition to scholarly work on Early Modern Europe, genealogy, The Melungeons, and bibliographic work in early US history, DeMarce has written or co-authored a number of formative short stories and novels in the 1632 series collaborative fiction project. She is one of the principal controlling parties of the collaboration, and a member of the 1632 Editorial Board. In these positions, she helps select likely stories for the project and manages the 1632 canon, common shared resources, and integration between authors.
She began writing fiction upon the request of participants in the 1632 Tech forum at Baen's Bar, where she had contributed technical input and assistance. Her first fiction contribution to the project was the short story "Biting Time", which she wrote with great reluctance under much pressure.
Read more about this topic: Virginia De Marce
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“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“Man cannot bury his meanings so deep in his book, but time and like-minded men will find them. Plato had a secret doctrine, had he? What secret can he conceal from the eyes of Bacon? of Montaigne? of Kant? Therefore, Aristotle said of his works, “They are published and not published.””
—Ralph Waldo Emerson (1803–1882)
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
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