Culture
The city is home to several points of interest in the historical, scientific, and visual/performing arts areas, and has become a popular tourist destination in recent years. The Virginia Museum of Contemporary Art features regularly changing exhibitions in a variety of media. Exhibitions feature painting, sculpture, photography, glass, video and other visual media from internationally acclaimed artists as well as artists of national and regional renown. MOCA was born from the annual Boardwalk Art Show, which began in 1952 and is now the museum's largest fundraiser. By operating at a national standard, MOCA received accreditation from the American Alliance of Museums in 2010.
The Virginia Aquarium & Marine Science Center (formerly the Virginia Marine Science Museum) is a popular aquarium near the oceanfront that features the 300,000-gallon Norfolk Canyon Aquarium, containing sand tiger, nurse and brown sharks, as well as sting rays and other large open-ocean dwellers. There is also a 70,000-gallon sea turtle aquarium, sea turtle hatchling laboratory, hands-on ocean exploration exhibits, jellyfish and octopus aquariums, and even a life-size model of a humpback whale. Other features include the Owls Creek salt marsh and a nature trail.
The Virginia Beach Amphitheater, built in 1996, features a wide variety of popular shows and concerts, ranging from Kenny Chesney to Taylor Swift to Coldplay to Ozzfest. The Sandler Center, a 1200-seat performing arts theatre, opened in the Virginia Beach Town Center in November, 2007. Virginia Beach is home to many sites of historical importance, and has 18 sites on the National Register of Historic Places. Such sites include the Adam Thoroughgood House (one of the oldest surviving colonial homes in Virginia), the Francis Land House (a 200-year-old plantation), the Cape Henry Lights and nearby Cape Henry Light Station (a second tower), Bayville Farm, DeWitt Cottage, Ferry Farm Plantation, Dr. John Miller-Masury House, Adam Keeling House, Old Donation Church, Pembroke Manor, Pleasant Hall, Shirley Hall (Devereaux House), Thomas Murray House, U.S. Coast Guard Station (Seatack), Upper Wolfsnare, Weblin House, and Wishart Boush House, and Wolfsnare.
The Edgar Cayce Hospital for Research and Enlightenment was established in Virginia Beach in 1928 with 60 beds. Cayce was a psychic from Kentucky who claimed healing abilities and made prophesies. Cayce is known as the father of the "New Age" movement of the 1960s. Cayce resided in Virginia Beach until he died on January 3, 1945. His followers are still active in Virginia Beach. The 67th street facility features a large private library of books on psychic matters, and is open to the public. The traditional beach-architecture headquarters building features massage therapy by appointment. Atlantic University was opened by Cayce in 1930; it closed two years later but was re-opened in 1985. Atlantic University was originally intended for study of Cayce's readings and research on spiritual subjects.
The city's largest festival, the Neptune Festival, attracts 500,000 visitors to the Oceanfront and 350,000 visitors to the air show at NAS Oceana. Celebrating the city's heritage link with Norway, events are held in September in the Oceanfront and Town Center areas. Every August, the American Music Festival provides festival attendees with live music performed on stages all over the Oceanfront, including the beach on Fifth Street. The festival ends with the Rock and Roll Half Marathon.
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Famous quotes containing the word culture:
“The best hopes of any community rest upon that class of its gifted young men who are not encumbered with large possessions.... I now speak of extensive scholarship and ripe culture in science and art.... It is not large possessions, it is large expectations, or rather large hopes, that stimulate the ambition of the young.”
—Rutherford Birchard Hayes (1822–1893)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)
“The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.”
—Jean Baudrillard (b. 1929)