Music Career
Virginia began learning piano at the age of six and flute at fourteen. After leaving school, she studied at the Guildhall School Of Music. Her first professional appearance in public was as a busker outside South Kensington tube station. In 1980 she auditioned for a new band from Clapham, the Victims of Pleasure. Virginia, playing keyboards, worked with them for a short while playing in clubs and pubs around London. The band released three singles between 1980 and 1982 before splitting up.
Afterward, Virginia wrote, arranged and performed music with Skids frontman Richard Jobson for the album The Ballad Of Etiquette. Their collaboration continued when Jobson moved to Belgian label Les Disques Du Crépuscule, and Astley contributed to the Crépuscule compilation The Fruit Of The Original Sin. She also contributed as part of The Dream Makers (in collaboration with filmmaker Jean Paul Goude) for a cover version of "La Chanson d'Helene" (Helen's Song), showcasing an early example of her distinctive vocal style.
It was during this early period that Virginia started to give serious consideration to releasing her own material; however, nothing immediately came of these plans. Then in 1981, she signed to the small UK label Why-Fi and recorded a series of songs. A school friend, Jo Wells (Kissing The Pink) and a university friend Nicky Holland both contributed as did Tony Butler, Mark Brzezicki and Peter Hope-Evans. Virginia then received an offer from another Why-Fi artist, Troy Tate, for a supporting band position with The Teardrop Explodes. In the nineties, finding that her musical style was popular in Japan, she went on to collaborate with Asian artists.
Read more about this topic: Virginia Astley
Famous quotes containing the words music and/or career:
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (19001965)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)