Vinaya Prasad - Career

Career

Vinaya Prasad hails from Udupi district of Karnataka state. Vinaya made her film debut with a small role in G V Iyer’s Madhwacharya in 1988. She worked in smaller character roles before playing the leading lady in Ganeshana Maduve opposite Ananth Nag. The film was a huge success and she went on to act in more than 60 films in not only Kannada but also Malayalam, Tamil and Telugu. Some of her notable Kannada films include, Neenu Nakkare Haalu Sakkare, Ganeshana Maduve, Gauri Ganesha, Mysore Jaana and Suryodaya. After a successful career as a lead actress, Vinaya switched over to character roles in South Indian films and remains a sought after actress in Kannada, Malayalam, Tamil and Telugu movies. Vinaya is also an effective compere and singer. Vinaya has compered several important events like Vasantha Habba in Nrityagram and the annual Dasara procession in Mysore.

She starred in a few Malayalam films also before starring in the longest-running and most popular daily soap opera on Malayalam TV, Sthree which aired from late 1997 to mid 2000 on Asianet Television channel. The Kannada version of this serial was also made. The popularity of this soap made her a household name among Malayalis.

In Tamil, Vinaya has acted as the heroine in the hit movie Thaikulame Thaikulame with Pandiarajan and Urvashi in the lead roles. She starred in a supporting role in the all-time blockbuster Manichitrathazhu, which starred Mohanlal. In Telugu, Vinaya's movies include Indra, Donga Dongadi and Andhrudu for which her performance won a lot of praise.

In 2006, she returned to the Malayalam small screen to reprise her role as Indu in the sequel to the original Sthree, also named, Sthree.

Read more about this topic:  Vinaya Prasad

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    I restore myself when I’m alone. A career is born in public—talent in privacy.
    Marilyn Monroe (1926–1962)